My Kind Of SF Movies.

It's been a while since I've seen so many SF films that I've enjoyed. For a few years now I've been disappointed with the long breaks between quality SF film.  Sure, there's been a ton of superhero movies, and while many love them they are not my cup of tea.

In fact I was recently speaking to someone in the film industry, and they were lamenting the current domination of these films - Marvel in particular. So much Marvel product is being made that it's affecting investment and production in other, non superhero movies.

But I digress.

Don't get me wrong. There have been SF movies that I enjoyed, or even loved. Ender's Game, The Force Awakens, The Lobster and Ex Machina are films I adored. I might even be one of the few who will openly admit to quite liking Jupiter Ascending as well. But for every one of these there is a Prometheus.

Bleah!  (And please, remember this is only my opinion on these films. Like most art, taste plays a large part of what is considered quality.)

Interstellar needed work. It dragged on and then turned metaphysical with a 'happy ever after' ending. From all accounts Christopher Nolan ignored the original, darker ending and rewrote it. I think Nolan is over-rated as a writer and director. Most of his work needs clarity and focus, and a much gentler touch. Inception, for example, could have been so much better. I've also yet to love a movie by Neill Blomkamp. I've previously written of my disdain for District 9, a movie which most people seemed to rate highly. Elysium was even worse. It made little sense at all, and was full of plot holes Nolan could drive a starship through. Latest word is he may not be attached to the Alien sequel after all, which I consider good news. In addition to these, there were a lot of other so-so SF films during these years.

But in the past 15 months or so I've enjoyed the two Star Wars films, The Martian, and Arrival. Guardians of the Galaxy was a lot of fun, and even Passengers, which seemed to upset a lot of people, was nothing more than it pretended to be. And I quite enjoyed it. And there was a lot more. Ghost in the Shell, while not the deepest of films, was visually beautiful and better than I expected it to be. I must point out the setting reminded me of a cleaner, more prosperous Blade Runner world.

Speaking of which we have the new Blade Runner movie to look forward to - and if it's anywhere near the quality of director Denis Villeneuve's previous work, (Incendies, Sicaro, The Arrival) we should be in for a real treat.

Plus the new Star Wars movie in December.

Life is good.

Start Making Sense.

When I was young, my grandmother used to read a magazine called The People's Friend. First published in 1869, it's still in existence. It contained recipes and knitting patterns and anecdotes from readers about their grandchildren, but is mostly famous for its short stories.  But the one thing I always remember from reading this magazine when I visited my grandmother is the cover art.

At the time, and through the eyes of a child, I thought the artwork was basic and not particularly skillful. I also thought the colours were wrong, that they were too primary. And since the artist, J. Campbell Kerr, produced a new cover each week, that perhaps they were churned out to meet the need.

I recently recalled Campbell-Kerr's name, and was surprised to learn she or he didn't exist. It was merely a pseudonym for a team of four watercolour artists who took turns to produce the covers. But during this moment of research, the main thing I finally understood after all these years is why I knew the colours were wrong. They weren't Australian colours.

The Australian landscape is quite different to the British landscape. The colours are different, the trees are a different range of greens, and on a beautiful spring day the grass, flowers and sky are more primary than the drier, harsher hues of the Australian experience. This is something I knew intellectually, of course, and have been aware of for many years, but when I finally connected this with Campbell Kerr's artwork it really hit home.  This art works in Britain.

But that's not all. As I explore the British countryside I am constantly amazed at how much of my reading experience now makes more sense. Even going back to The Famous Five novels, some of my favourite books when I was a kid, smugglers, secret panels, small islands, copses and coves feel at home in this landscape. Even the work of Tolkien and other British writers now gives me different images and interpretations to the ones I had growing up.

I expect this is completely true in reverse. When I read a story set in the Australian bush I can easily picture the sight, the sounds and the smells, whereas an overseas reader would overlay the text with their own understanding of a woodland.

Context and experience. Live and read widely.

Crossroads Of Canopy.

Thoraiya Dyer is a writer I truly admire.

I've only ever met her twice in real life, and our digital correspondence is far from frequent, yet she's a wonderful writer and a great person to boot. I was fortunate enough to spend a little time with her last June at Continuum in Melbourne, but even then we didn't end up with enough time to chat. And I'm not really sure why. It just didn't seem to work out timewise.

I always enjoy her writing, and she has given me some solid advice and encouragement.

So I was especially pleased last year when she signed a deal with TOR to publish her trilogy. The first book is out now, and although I've yet to buy a copy, I'm hearing good things about it. Online reviews have been highly favourable as well.

Set in a giant mythical rainforest controlled by living gods, Crossroads of Canopy is the first installment of the Titan’s Forest trilogy. Be sure to look out for launch dates and events near you.

Oh, and buy a copy of this book.

It's Time To Re-open Those Files.

I haven't been overly-active on my website since I left Australia. There are a number of reasons for that. Settling in to a new life and job, learning new curriculum, trying to make friends, setting up a house, and so on. Mostly, though, because I haven't written very much fiction since before I left Australia.

It's been far too long, and I've been far too busy to find writing time. Or should that be 'make' writing time. Planning and organising the big move, and preparing our house for sale were our major priorities for so very long. Writing was, unfortunately, some way down the list.

But I'm about to get back into it. I've been looking over a few stories that needed rewrites, and I've even made notes on them. Tonight, for the first time in ages, I even wrote some new words. They'll probably never get used, but it felt great to be back behind the screen and typing again.

And, very soon, I promise some exciting publication news. I can't wait to announce this one.

Onward and upward.

Last In, First Out.

A few days ago I was informed that due to budget concerns, approximately 18 teachers will be finishing up at Easter this year. All teachers made redundant are on short term contracts - basically 'last in, first out', and unfortunately I am one of the 'last in'. This means I have approximately 13 weeks of teaching left.

This decision seems to have taken all staff by surprise. My colleagues, managers and even some of the leadership were genuinely shocked by this. None of the students have been informed yet, and I won't be the first to tell them. I know some of them will be quite upset by this.

You know what they say, "One door closes, another opens."  Yeah, that's not something to which I ascribe. Doors are made to be opened, or sometimes kicked in. I've never been one for automatic doors. I'll certainly be making time to take stock, consider my options, and choose which door I plan to open.

I look forward to the opportunities I may discover along the way.

Life in Lincoln.

It’s almost 5 months since Lindsey and I made the move from Australia to the UK. Recently a few people have asked after us, so I thought I’d write a bit about what we’re up to and how we’re doing. I suspect this might be a bit longer than many of my posts.

(The TL;DR version will be in the last paragraph.)

Lindsey and I have settled in the old part of a village just a few miles out of Lincoln. Our cottage is around 230 years old, and is warm, cosy and feels welcoming. We’re friendly with our neighbours, and even socialise with them. The pub is 100 yards down the road, and although we only drop in every few weeks, the Landlord knows me by name and chats to me. A fantastic fish and chip shop is only a short walk away.

My commute to work is a comfortable 12 minutes. I have to drive through Lincoln itself and past the Cathedral, and on mornings when traffic is heavy I need to add an extra two minutes to my journey. On the way I listen to BBC Lincolnshire – Scott Dalton in the morning, who is friendly and personable. It’s a gentle rural station and mostly plays classic pop, as listeners tend to be older. But the morning show and its discussions is how I learn about local issues, politics and events.

I love the school at which I’m employed. Although the buildings are just over 100 years old, the school has a 900 year history. It’s said to be haunted, and on the internet there are first-hand reports of encounters going back decades. I have spoken to staff who have had experiences and even sightings. As for me, there is one incident which I find difficult to explain, although I’m sure many would simply scoff at it.

My colleagues are fantastic, and I enjoy being with them. The school demographic is quite similar to the school I left in Australia. The issues, the behaviours and discussions are strangely familiar. There are a lot of similarities in the curricula, however the focus has just been different enough to make me work at getting my head around it all.

Lincoln is a wonderful small city. Population is around 100,000, including outlying villages, and as such it’s small enough for me to easily find my way around. Dominated by the 1000 year old Cathedral and Castle, there’s more than enough history to keep any of my History teaching colleagues entertained for ages. Plenty of Roman ruins too. And the fossil of a plesiosaur that was found under a local primary school. Art galleries, museums and gardens. Lots to do here.

Plenty of entertainment venues too, with theatre, cinema, music venues and more. And all close and reasonably priced. Some fine restaurants as well. And I can buy Vegemite in the local supermarket.

I feel at home here. Always have. Lindsey’s family makes me very welcome, as do my neighbours, colleagues and students. As I was born in the UK, I actually feel a connection with the land. The weather doesn’t worry me (Remember, I lived in Japan for 6 years where winters snowed and could get very cold) and I prefer the cooler climes to those hot Australian summers. As my friend Peter would say, I get burnt if I walk past the toaster in the morning. I really do have a pale Scottish complexion.

We moved here with a two-year plan, for a number of reasons. Employment, pace of life, a sense of community, access to Europe, time with Lindsey’s family, some connection with my ancestral past, art, music, culture, history, and so on. On Facebook, you've possibly seen Lindsey and I taking every opportunity to attend events. Everything from rock music to classical, folk to swing. We’ve been to galleries, castles, manor homes, gardens, a 1940s weekend, and a steampunk festival. My employment seems to be working out, we spend time with Lindsey’s family, we’ve connected with our neighbours, started becoming involved in aspects of the village community, and visited Amsterdam during the summer. We have a trip to Venice planned after Christmas.

Many people have asked me which I prefer, Australia or the UK. The truth is neither. They're both wonderfully different. We never left Australia because we didn’t enjoy our lives there. Of course there were aspects that we felt disappointed with, but none were deal-breakers. 

Is life perfect here?

No. No country is perfect. For a start they play this weird sport they call football where they only have 11 players on a team (not 18), the ball is round, and no one takes a speccy. And they all have funny accents.

Has it all been plain sailing?

Yes, for the most part. Any issues we’ve had have been rather minor. I guess the biggest were the self-doubts I experienced a month or so into my new job when I felt overwhelmed by everything new I was learning. But that passed with a week or so.

Of course I miss my family and my friends. So far I’ve yet to make friends here. There are plenty of people with whom I’m friendly, neighbours and colleagues, but there’s no-one yet who will ring me and ask me to come and hang while listening to music and sipping a beer, or shooting pool, or whatever. But I’ve only been here since July. And I’ve only been at my school since September. These things take time.

And remembering that I’ve only been here four months is important. It’s still, what many would call, the honeymoon period. Sure, I no longer hesitate while counting out change. I don’t think the electrical sockets look weird anymore. I automatically say ‘trainers’ instead of ‘runners’ and ‘crisps’ instead of ‘potato chips’. Heck, when I talk about soccer to the kids, I even say ‘football.’ But it’s still early days, no matter how well I’m fitting in and feeling at home. And things might change. I’m well aware of that.

(Here’s the TL;DR part)

But so far so good. Being here feels right. We've found pretty much everything we were looking for. And Lindsey and I are enjoying ourselves here. I feel less stressed.

Even the dogs are loving it here. They seem relaxed, and certainly enjoy all the walks this village has to offer.

Life is good.

Continuum XII.

Continuum XII is fast approaching, and I'm really looking forward to it. Last year, due to circumstances, I was only able to spend one day there. This year I'll be present for the whole thing. As this will be my last Australian convention for some time, it'll be great to catch up with a whole bunch of people just before I go,

For those who don't know, Continuum is an annual fan run speculative fiction and pop culture convention. From science-fiction to epic fantasy and everything in between, Continuum 12 will celebrate the theme “Stranger Than Fiction”. Continuum runs every year on the Queen’s Birthday long weekend. In 2016 the convention will be held between June 10-13 at the Hotel Jasper in Melbourne’s CBD.

I've been selected for five panels. Mostly writing themed, but with one on Star Wars. I know some of the panellists already, and they're a great bunch. I look forward to meeting those I don't yet know.

In addition George Ivanoff has asked me to be involved in one of his notorious activities. And although I immediately said yes, I'm now starting to wonder if it was a good idea to take part. I guess time will tell.

For those attending, come up and say 'Hi'. Offer me a drink. Tell me things I don't know. Oh, and don't forget that drink!

Hope to see you there!

My panels:

Worldbuilding  (Saturday  10-11am) 

• How to create an immersive world, how much detail is too much, how much should you tell the audience or keep in the background, how does trade fit in and how do you draw the damned map?

Writers and Doubt (Saturday 4-5pm)

• Dealing with Imposter Syndrome. A very real and quite sobering issue, join us for a discussion on how to deal with Imposter syndrome and what we can do to alleviate it.

Plotspirations (Sunday 4-5pm)

• From mashups to bets to eureka moments to messages in the sky, how do you get your ideas? Where do your plot ideas come from?

Star Wars: The Force Awakens (Monday 10-11am)

• Revolutionary film or redone cliche cashing in on nostalgia? Badass female heroine or boring Mary Sue? Potential interracial gay couple or just a big tease? We analyse the new movie for any trace of Midichlorians.

The Author is a Jerk! (Monday 1-2pm)

• How do the personal opinions and actions of an author affect the reception of their work and do we really care? Should an author’s personal and professional lives remain separate or should we boycott problematic authors?