Sunday, December 30, 2012

Faking The Blues.

This week I read an interview with a blues artist I've never heard of before, Eugene Hideaway Bridges. I still haven't had a chance to hear his music, but it was a pretty cool interview. And he said some really interesting things. But there was one quote I especially liked.
"A fake blues is like listening to Dick Van Dyke play an English person in Mary Poppins."
Which is true. You can tell when someone is faking the blues - the same as you can tell when a writer is faking science fiction, or any other genre for that matter. It just doesn't ring true.

Which comes back to 'write what you know.' And know its history.

Tuesday, December 25, 2012

Why Are They Called Deadlines?

Christmas was quiet, which was great. We had a lot of fun and lots of great food.

How was your Christmas?

This week I am overwhelmed with ideas and excited by possibilities. Unfortunately my free time is limited and deadlines approach.

Writing and re-writing must be done.

I can't talk right now, just be sure I'm working. :)

Saturday, December 22, 2012

Mayan Blues.

And so the Mayan apocalypse came and went with barely a blip on the radar. It was a bit of fun, counting down the minutes, but ultimately I don't know anyone who actually took it seriously. Or at least I don't think I do.

Here in the afterlife, things are pretty much the same. The list of stories to be written on my wall is largely unchanged, the stack of books waiting to be read seems larger, even though I get through a couple a week, and most TV is still rubbish. Thank goodness for DVDs.

I've been listening to a lot of old blues. B.B. King, Taj Mahal, James Cotton, Johnny Copeland, Stevie Ray Vaughan - just to name a few. Seems appropriate in this post apocalyptic world.

Remember, the blues ain't nothin' but a feeling.

Wednesday, December 19, 2012

The World Is Round.

And BANG!, just like that I had an epiphany.

I'm in the middle of a writing workshop and yesterday, while doing an exercise, a whole lot of things suddenly made sense. Structure, character, setting, opening. I can suddenly see how these things need to work together.

I'm all re-energised about my writing. A half-completed story is no longer a problem. I have more ideas than I know what to do with. I expect my writing will improve leaps and bounds over the short term.

Today is the second last day of the school year. I should soon have some free time in which to let my imagination roam free.

Sunday, December 16, 2012

Things I Learned This Week.

I've just returned from Adelaide. Unfortunately I wasn't there for the launch of Midnight and Moonshine by Lisa L. Hannett & Angela Slatter (Ticonderoga) - I left Adelaide mere hours before it commenced. I was on a more dangerous mission - a school trip with almost 60 teenagers. And I learned a number of things during the week.

1. Modern top 40 radio sucks. I spent the week listening to drivel without melody, or lyrics of any substance.

2. Autotune and computerised backing tracks do nothing to improve these so-called songs.

3. Teenage girls, singing (bellowing?) along have the uncanny ability to find those exact frequencies that will grate on your nerves the most.

4. Some people need to learn manners. I do not like rude people. The same applies to those people who lack respect for others, are dishonest, think they know everything, or are incompetent.

5. The kids on the trip from my school were fantastic.

6. I could get used to the feeling of buying a magazine simply to read, and to discover a review of an anthology I'm in. Even if my story wasn't mentioned. (Epilogue, reviewed by Cat Sparks in Cosmos #48)

7. Adelaide is a fun place with lots to do.

And yes, I had a wonderful week - despite one day of illness - and look forward to the opportunity of going again.

Saturday, December 15, 2012

Vale: Ravi Shankar.

I first heard Ravi Shankar as a teen, when a friend gave me a tape of The Concert For Bangladesh. After that initial playing I tended to skip the first part as I didn't 'get' Indian music. Later, of course, I recognised Shankar for the genius he was, and quite enjoyed listening to his work.

His influence on The Beatles, and George Harrison in particular, is enormous. Although Harrison had first become interested in the sitar during the filming of Help!, it was 1966 before he met Shankar and travelled to India to study with him.

As a musician, a teacher and a lecturer, Shankar toured the world and taught at a number of universities. His work brought international recognition to the music of his homeland.

He died in California at the age of 82.

Tuesday, December 11, 2012

Little Dreams And The Big Time.

Once a month, my Dad and I watch old movies together. It's great spending time with Dad. The movies are a lot of fun too, and I've learned a lot from them. Not just about plotting, and structure and dialogue, but a couple of quotes from recent movies have hit me recently.

Great lines from a couple of classic movies that really spoke to me.

For Me and My Gal (1942)

Jo Hayden: "You'll never be big time because you're small time in your heart."

A Star Is Born (1954)  

Norman Maine: "Listen to me, Esther, a career is a curious thing. Talent isn't always enough. You need a sense of timing - an eye for seeing the turning point or recognizing the big chance when it comes along and grabbing it. A career can rest on a trifle. Like - like us sitting here tonight. Or it can turn on somebody saying to you, 'You're better than that. You're better than you know.' Don't settle for the little dream. Go on to the big one...Scared? Scared to take the plunge?"
 Motivation anyone?