I read a few short stories this week that completely underwhelmed me. These stories weren't written by newcomers, writers who could be excused for not nailing all the conventions of storytelling, but pieces by established authors, names that any SF fan would instantly recognise.
I suspect that if I'd submitted some of these under my own name, they would have received a formal rejection.
(It would be an interesting experiment, wouldn't it? I submit one of my stories under an established name, and they submit one of their weaker ones under mine...)
I'm not talking about taste here. There are always going to be stories that appeal to me more than others. But these stories missed entire elements, had 'idiot' plots, (where the protagonist is required to be an idiot in order for the story to work), loose ends, unanswered questions, ridiculous coincidences that allowed characters to overcome difficulties, and in one particular case, no real story at all - that is no crisis or problem for the main character.
Why is this? Is it laziness on the part of the writer, or is it simply a matter of the writer having become a factory and churning stuff out?
Or, like Paul McCartney, are they unable to see their own work is rubbish and there is no one around game to tell them their work is sub-standard. Maybe they need an equal, a 'John Lennon' along side them who can give an honest critique.
As I've written a few times recently, these things are becoming more apparent to me in my own writing. I'm recognising my own weaknesses and working hard to address them. I'm understanding the elements required to create a satisfying tale. And I can see why my earlier work (in some cases) was rejected so quickly.
I truly hope that I continue to learn and improve. I never want to rest on my laurels.
Showing posts with label Paul McCartney. Show all posts
Showing posts with label Paul McCartney. Show all posts
Wednesday, September 25, 2013
Lazy Writing?
Labels:
editing,
John Lennon,
learning,
Paul McCartney,
publishing,
stories,
storytelling,
writing
Sunday, July 29, 2012
Aiming For Gold?
The Olympics are underway. I loved the opening ceremony. It was spectacular. And as a bonus it promoted literacy and reading, which is never a bad thing.
The soundtrack was wonderful. Paul McCartney with Hey Jude as a closer was kitschy, but it was kind of successful in the context. I must admit to being completely underwhelmed by Dizzy Rascal and The Arctic Monkeys. As performers, I thought they were average - and as part of the production, they disrupted the flow of the show. It's not a concert, after all. Mike Oldfield's presence, on the other hand, worked well as part of the soundtrack.
Every four years I enjoy watching the athletes striving to do their best, but I have mixed feelings about the games - especially when words like courageous, sacrifice and hero are pulled out. How can a swim be courageous - unless it's under enemy fire? Hero? I'll agree they are role models, but to me a hero is more than someone who performs well. And sacrifice? Sure, they sacrificed aspects of their life to get there - but it was a sacrifice they made to benefit themselves. We all prioritise parts of our life. And then there's the regular dialogue about how we don't financially support our athletes enough, or look after them well enough once they retire from sports.
The problem I have is that these athletes are simply doing their 'hobby'. An artist who doesn't earn an income, but spends all their time painting (training?) and thereby ends up in debt is seen as irresponsible. They don't expect to be supported by the state. I guess artists don't end up in regular contests.
Olympians are athletes who excel. I guess the problem is they don't produce a 'product'. Artists generally only succeed if they sell their work. There are athletes, in football or basketball, who can earn vast quantities of money because people regularly buy tickets to watch them in action. But not many people regularly pay to go and watch shotputters.
These athletes always talk of how they are "doing it for their country." I'm sure it's an honour to represent their country, but ultimately they are "doing it" for themselves. No child takes up sprinting solely because they want their country to be successful.
As a writer, I'd love to see more government funding and support given to the Arts. Many writers, musicians, artists and actors have to work full time jobs in order to support themselves. Most of them would love to be able to dedicate themselves to their art full time, training if you will.
Heck, if you give me a tracksuit and a stipend, I'll even say I'm writing for my country.
The soundtrack was wonderful. Paul McCartney with Hey Jude as a closer was kitschy, but it was kind of successful in the context. I must admit to being completely underwhelmed by Dizzy Rascal and The Arctic Monkeys. As performers, I thought they were average - and as part of the production, they disrupted the flow of the show. It's not a concert, after all. Mike Oldfield's presence, on the other hand, worked well as part of the soundtrack.
Every four years I enjoy watching the athletes striving to do their best, but I have mixed feelings about the games - especially when words like courageous, sacrifice and hero are pulled out. How can a swim be courageous - unless it's under enemy fire? Hero? I'll agree they are role models, but to me a hero is more than someone who performs well. And sacrifice? Sure, they sacrificed aspects of their life to get there - but it was a sacrifice they made to benefit themselves. We all prioritise parts of our life. And then there's the regular dialogue about how we don't financially support our athletes enough, or look after them well enough once they retire from sports.
The problem I have is that these athletes are simply doing their 'hobby'. An artist who doesn't earn an income, but spends all their time painting (training?) and thereby ends up in debt is seen as irresponsible. They don't expect to be supported by the state. I guess artists don't end up in regular contests.
Olympians are athletes who excel. I guess the problem is they don't produce a 'product'. Artists generally only succeed if they sell their work. There are athletes, in football or basketball, who can earn vast quantities of money because people regularly buy tickets to watch them in action. But not many people regularly pay to go and watch shotputters.
These athletes always talk of how they are "doing it for their country." I'm sure it's an honour to represent their country, but ultimately they are "doing it" for themselves. No child takes up sprinting solely because they want their country to be successful.
As a writer, I'd love to see more government funding and support given to the Arts. Many writers, musicians, artists and actors have to work full time jobs in order to support themselves. Most of them would love to be able to dedicate themselves to their art full time, training if you will.
Heck, if you give me a tracksuit and a stipend, I'll even say I'm writing for my country.
Labels:
art,
funding,
mike oldfield,
olympics,
Paul McCartney,
sport,
writing
Sunday, April 11, 2010
It Was 40 Years Ago Yesterday...
To say The Beatles broke up because of Yoko Ono is a little simplistic.
From all I've seen and read egos seem to be to blame. Paul became leader because Brian had gone, and the others resented that. John didn't want Paul to be leader - but couldn't work up the effort to actually do anything himself. George was tired of being treated like the kid brother. Ringo, of course, was Ringo. If The Beatles had stayed together, he'd have still been there drumming.
And Yoko was there, gazing up at rebellious John.
But as a relative of mine recently said to me, they should have just worked through it and continued making music. The sum was always greater than the parts. He then echoed Larry Norman, who sang:
The Beatles said, "All You Need is Love"
and then they broke up.
Who knows where their music would have headed if they'd stayed together.
We'd certainly have had the best songs from their respective solo albums (plus ones we don't know, as their lives would have led different paths and the experiences would have changed.) Of course, there's always the chance they would have been terrible. (Think later Rolling Stones).
As the character said at the end of Fanboys, as he's about to see The Phantom Menace after a 15 year wait, "What if it's crap?"
But at least John and Paul were always each other's filters. And John would have told Paul that Bip Bop was just plain silly, while Paul would have toned down some of John's more scathing attacks. (As well as (hopefully) preventing Yoko from appearing with her own songs. We're all Water???? Ugh!)
But what's done is done, and the past cannot be changed.
At least we still have Please Please Me to Let It Be, and all the stuff making the rounds for collectors.
But somewhere, in another universe, Paul, John, George and Ringo are getting on stage to belt out some old and new tunes.
And I wish I was there.
From all I've seen and read egos seem to be to blame. Paul became leader because Brian had gone, and the others resented that. John didn't want Paul to be leader - but couldn't work up the effort to actually do anything himself. George was tired of being treated like the kid brother. Ringo, of course, was Ringo. If The Beatles had stayed together, he'd have still been there drumming.
And Yoko was there, gazing up at rebellious John.
But as a relative of mine recently said to me, they should have just worked through it and continued making music. The sum was always greater than the parts. He then echoed Larry Norman, who sang:
The Beatles said, "All You Need is Love"
and then they broke up.
Who knows where their music would have headed if they'd stayed together.
We'd certainly have had the best songs from their respective solo albums (plus ones we don't know, as their lives would have led different paths and the experiences would have changed.) Of course, there's always the chance they would have been terrible. (Think later Rolling Stones).
As the character said at the end of Fanboys, as he's about to see The Phantom Menace after a 15 year wait, "What if it's crap?"
But at least John and Paul were always each other's filters. And John would have told Paul that Bip Bop was just plain silly, while Paul would have toned down some of John's more scathing attacks. (As well as (hopefully) preventing Yoko from appearing with her own songs. We're all Water???? Ugh!)
But what's done is done, and the past cannot be changed.
At least we still have Please Please Me to Let It Be, and all the stuff making the rounds for collectors.
But somewhere, in another universe, Paul, John, George and Ringo are getting on stage to belt out some old and new tunes.
And I wish I was there.
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