I've been to conventions before. I used to attend Continuum every year in Melbourne, visited Conflux once and even managed to get to WorldCon a couple of times. Since moving to the UK, I've been to a couple of Edge-Lits and a few Sledge-Lits, the winter counterpart. But I haven't really immersed myself in the British SF scene.
Scene. I choose that in place of a better word instead of 'Community'. Ah yes, the 'Myth of Community'. I am planning to write about that soon, but I'll leave it as it is and just move on for now.
Last weekend I visited Chester for FantasyCon. I was hoping to catch up with old friends, make some new ones and even meet a hero or two. And I succeeded on all counts. It was wonderful to see Philip and James again, to spend time with Penny, Simon, Adele and Tom (as well as a bunch of others I haven't mentioned), and to chat, albeit briefly, with Ian Watson. Ian is a fabulous writer, someone I started reading back in the late 70s and never dreamed of meeting. I managed to get a book or two signed, and even copped some written abuse from him in one of them - which was pretty special.
I spent time chatting with Dr Abbey from Japan, even though my Japanese was rusty and he was polite about my abilities, and met Ian Whates and Adrain Tchaikovsky, who were both delightful and fascinating.
Restaurants, bars, sitting outside with friends, walks, and even listening to the karaoke (bleah) made for a memorable weekend.
Seriously though, how do we manage to spend an entire weekend based in a hotel and still not catch up with people we know? I missed a few people I had planned to see. And they were there! I've seen the photographic proof.
If you haven't been to FantasyCon and you live in the UK, it's highly recommended. I plan to be there next year again.
Showing posts with label ian watson. Show all posts
Showing posts with label ian watson. Show all posts
Thursday, October 25, 2018
Sunday, December 18, 2011
Revisiting The Past.
I must admit to having been disappointed recently by some of the magazines I've read.
As a subscriber to both Analog and Asimov's, I'm fairly familiar with the types of writing they publish, although I must say I generally don't find Analog to be as science based as they try to make out. The past few issues of both magazines, however, have contained stories that I'm surprised they accepted. Not only were a couple of them twee and pointless, but several contained examples of the cliches, infodumps and poor writing that I would have presumed would have rendered them as rejects. I found a couple of the stories in the bumper double issues long, boring, and a real slog to finish.
It actually made me wonder why my last submission to Analog was a form reject.
On the other hand, it's been a joy to revisit old friends. I picked up a Christopher Priest novel, one I thought I hadn't read. As soon as I was a few pages in, it seemed strangely familiar, and I realised I must have read it many years ago. But more than that, I fell in love with his writing all over again. And now I'm going to dig out some of his other novels that I haven't opened in twenty years or more and read them.
I also found a short story I've been looking for. I couldn't remember the title or the author, and I've scoured my book collection over the past few years without success. Turns out it was a book I must have overlooked, because it's another old favourite, Robert Sheckley. And then I read a JG Ballard novel. Another whose writing I love.
Next will be Bob Shaw, Michael G, Coney (another favourite) and Ian Watson.
It's great to keep up with the latest and greatest, but don't forget the masters.
As a subscriber to both Analog and Asimov's, I'm fairly familiar with the types of writing they publish, although I must say I generally don't find Analog to be as science based as they try to make out. The past few issues of both magazines, however, have contained stories that I'm surprised they accepted. Not only were a couple of them twee and pointless, but several contained examples of the cliches, infodumps and poor writing that I would have presumed would have rendered them as rejects. I found a couple of the stories in the bumper double issues long, boring, and a real slog to finish.
It actually made me wonder why my last submission to Analog was a form reject.
On the other hand, it's been a joy to revisit old friends. I picked up a Christopher Priest novel, one I thought I hadn't read. As soon as I was a few pages in, it seemed strangely familiar, and I realised I must have read it many years ago. But more than that, I fell in love with his writing all over again. And now I'm going to dig out some of his other novels that I haven't opened in twenty years or more and read them.
I also found a short story I've been looking for. I couldn't remember the title or the author, and I've scoured my book collection over the past few years without success. Turns out it was a book I must have overlooked, because it's another old favourite, Robert Sheckley. And then I read a JG Ballard novel. Another whose writing I love.
Next will be Bob Shaw, Michael G, Coney (another favourite) and Ian Watson.
It's great to keep up with the latest and greatest, but don't forget the masters.
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