I've seen a number of writers who push the Heinlein rule of never re-writing stories. As I've said before, I'm not a huge fan of Heinlein's writing rules. I believe they worked for Heinlein at a time in his life when he was required to churn out short stories in order to make some money, but recently these rules have been lifted to some kind of mystical status among writers, chanted like a sacred mantra that will guarantee money, fame and success for those who follow.
I have a couple of pretty good stories that I wrote a year or more ago but had no takers. These are stories which I quite like, but with the development of my writing skills and better understanding of story construction I can now see the flaws in them.
A spare hour here, a spare hour there, a quick re-write and out they go into the publishing world.
I've recently sold two stories that went through this process, and I'm thrilled to soon be able to see them in print. And that's much better than languishing hidden in a metaphorical bottom drawer.
Showing posts with label robert heinlein. Show all posts
Showing posts with label robert heinlein. Show all posts
Tuesday, May 14, 2013
Wednesday, January 23, 2013
My Writing Rules.
Last year I posted on David McDonald's blog about writing rules and the need to develop your own. I spent a bit of time looking at rules from other writers and found that none of them worked for me or suited my circumstances.
Anyone who has spent some time writing should be familiar with Heinlein's Rules, handed down from writer to writer and treated as though sacred and holy. Generally I find them to be outdated and simplistic.
I've never actually articulated the rules I'm developing (I guess they're more of a 'vibe'). Perhaps they should even simply be guidelines. But here goes, bearing in mind they are appropriate for me and subject to change and development. (I've also posted them on a seperate page, where they may be updated and revised.)
1. Define your goals.
Do you want to be a full time professional? Someone who writes as a hobby? Someone who just wants to see their name in print? Short stories, novels or both? None of these ambitions are any less valid than the others. There are a number of famous novelists who hold down full time jobs still. By choice. But it helps if you are clear in your intentions.
2. Write.
This is one where I agree with Heinlein. Many people intend to write, few actually do. It doesn't have to be everyday, just as often as you can and appropriate to your goals. Don't complain you don't have the time - none of us do. If you want to do something badly enough you'll make the time. I also think the rule about "finishing it" is implicit in this rule. There's no point in only writing opening or paragraphs unless they are exercises for practice.
3. Read widely.
Fiction, non-fiction, news, science, classics, literature, biographies, cross-genre - even genres you would never normally read. Take it all in and let it swish around inside you.
4. Rewrite as required but don't tinker endlessly.
As you progress as a writer it becomes easier to see flaws in your own work. I took an older story that wouldn't sell, a story I loved, applied new learning to it and rewrote parts of it resulting in a story double the original length. It sold, was nominated for an award and has received great comments and reviews. On the other hand don't keep tweaking it endlessly. And don't be afraid to lose words to better the story. Your words aren't that sacred.
5. Let it be read.
I'm amazed at the number of people who want to be a writer but are too scared to show their writing to anyone. I'll admit it was terrifying the first time, but you soon get used to it. Show your work to people, submit it to markets. Get it out there. Isn't that what storytelling is all about?
6.Learn.
Writers' groups, workshops, online classes, writing books, writing buddies and so on. Develop your skills and learn. Everything. Grammar is a good place to start. Strunk & White is very useful.
7. Listen to critiques.
But that doesn't mean you need to need to treat them all equally. A reader may be able to tell you it didn't work for them but not be able to explain why. A writer might be able to explain why. Remember that your story is aimed at readers. If it doesn't work for one, it may not work for others. On the other hand beware of advice starting with "I would have written it like this..."
8. Be part of the community.
Writing is generally a solitary activity. Spend time with the community, both online and in person. Go to conventions, meet people and socialise. It's amazing the doors that will open. Remember networking is important, but networking is a two-way street. It's not just about what others can do for you. If you take and never give you will soon be ignored. Social media is supposed to be social. By all means mention a new release, or a sale, or even the occasional writing problem or word count. But if you're solely on Facebook to promote your work it soon becomes little more than spam.
9. Be professional.
In all aspects of your public life - at conventions, online and when dealing with editors and publishers. I know of several writers whose works I refuse to buy simply because they've been rude or arrogant towards me. And just because you've made a sale doesn't mean you're now an expert on writing or anything else. Don't sermonise, pontificate or put others down.
10. Have fun.
There are times you'll pull your hair out, curse editors and publishers and declare you're hopeless and can't write. But then there are those time you get to hold your newly published work in your hands, or make a sale, or receive positive emails from writers. And there is nothing like the feeling of typing the final full-stop at the end of a piece you just know is the best thing you've ever written.
11. Don't rest on your laurels.
You're best work is not necessarily behind you. Keep writing.
That's what I have so far. But, as I said, it's subject to change and development. And I'm interested in comments and feedback.
Labels:
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robert heinlein,
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Sunday, October 21, 2012
Ideas All Around.
This week I actually had two people ask me that notorious question. Where do you get your ideas from?
I was, of course, tempted to use Harlan Ellison's famous answer. Tired of hearing the same question over and over, he declared that every week he sent $5 (or $10 or $25, depending on the source) to a little old lady in Schenectady, New York and in return she sent him a list of ideas. Everyone laughed, but apparently at the end of the session there was a queue of people asking for her address.
I even thought of stealing Nick Tchan's recent forum post that said flying monkeys delivered ideas to him on scraps of paper.
Or Theodore Sturgeon's statement that every evening he left a bowl of milk on his front porch, and in the morning the milk had gone and a list of ideas had been left.
Instead I told the truth, that I see them everywhere around me. And they're coming faster than I can write them. I keep a list of them, of course. Some of these gems may not get used for a long time, some of them may end up as a minor idea in a different story. Some of them many never find a home.
Yesterday, for instance, I saw a car being towed by a tow-truck. I started asking "What if?", dropping the event into a number of different scenarios, and had half a story unfolding before I'd even realised it.
As for Theodore Sturgeon's answer, I think he may have been joking. At least once he suffered writer's block, bereft of ideas, and so he wrote to Robert Heinlein. Heinlein responded thus.
Check it out. It' a fabulous letter with everything from fully hatched ideas down to short, abstract thoughts.
I was, of course, tempted to use Harlan Ellison's famous answer. Tired of hearing the same question over and over, he declared that every week he sent $5 (or $10 or $25, depending on the source) to a little old lady in Schenectady, New York and in return she sent him a list of ideas. Everyone laughed, but apparently at the end of the session there was a queue of people asking for her address.
I even thought of stealing Nick Tchan's recent forum post that said flying monkeys delivered ideas to him on scraps of paper.
Or Theodore Sturgeon's statement that every evening he left a bowl of milk on his front porch, and in the morning the milk had gone and a list of ideas had been left.
Instead I told the truth, that I see them everywhere around me. And they're coming faster than I can write them. I keep a list of them, of course. Some of these gems may not get used for a long time, some of them may end up as a minor idea in a different story. Some of them many never find a home.
Yesterday, for instance, I saw a car being towed by a tow-truck. I started asking "What if?", dropping the event into a number of different scenarios, and had half a story unfolding before I'd even realised it.
As for Theodore Sturgeon's answer, I think he may have been joking. At least once he suffered writer's block, bereft of ideas, and so he wrote to Robert Heinlein. Heinlein responded thus.
Check it out. It' a fabulous letter with everything from fully hatched ideas down to short, abstract thoughts.
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