Showing posts with label David McDonald. Show all posts
Showing posts with label David McDonald. Show all posts

Wednesday, April 27, 2016

He's Doing Alright, Isn't He?

Much congratulations to my writing buddy, David McDonald.

Although this news is a few weeks old, it's never too late to recognise the achievements of a friend. Especially when those achievements are so very fine.

David was very excited to announce the forthcoming release of his original Guardians of the Galaxy novel, Castaways.  I'm sure you'll agree the cover art is fabulous. And if you loved the film and the characters, you need to read this.

The Guardians of the Galaxy are back in a new adventure, Castaways. Marooned on a mysterious planet that is trapped centuries behind the rest of the galaxy, Peter Quill, Gamora, Drax the Destroyer, Rocket Raccoon, and Groot go their separate ways. But when an alien technology threatens their new home, Castaways becomes a race to see if the Guardians can reunite in time to save it.
But wait, there's more.

David's novelisation of Backcountry, a recent movie, has been shortlisted for a Scribe Award (Adapted Novel – General and Speculative category). For those who aren't aware, these awards are run by The International Association of Media Tie-In Writers.

And he has more exciting news on the way. Keep an eye out for that announcement.

Congratulations, David.

Tuesday, April 12, 2016

Congratulations Jason.

And so my story, Lodloc and the Bear, didn't win the Aurealis Award for Best Fantasy Novella. That honour went to Jason Fischer. Congratulations, Jason. Well deserved.

It was an honour to be shortlisted for an Aurealis Award, and it was amazing to have been a finalist along with so many great names - writers I admire and some whose work I have been reading for longer than I can remember. It was a real thrill to have had my story considered worthy.

Awards are a funny thing. Most writers will tell you they're not that important, that they're not the reason we write. Which is certainly true in my case. But they are something many of us long for. I know I would love to receive an award or two. Writing is a solitary endeavour, and contact with our reading audience can be minimal. We might receive an encouraging note or an email, usually from someone we know. We might even be lucky enough to get a positive mention in a review. But an award or nomination, especially for a jury-judged award like the Aurealis, gives us some sense of validation. It makes us feel like maybe we can do this, and maybe we can do it reasonably well.

Many writers, myself included, live with nagging self doubts. About our abilities, about our words, about our goals. In the weeks leading up to the Aurealis Awards ceremony I honestly gave little thought to the outcome. Occasionally it would cross my mind, and I would swing wildly between 'I have no chance' to 'You never know - after all my story was deemed worthy enough to be a finalist.' In the last few hours leading up to the announcements, however, I must admit the pending result played on my mind quite a bit. I was walking through the streets of London, checking my phone for free wi-fi as I passed coffee shops, updating my newsfeed, and hoping I would be lucky enough to see my name as a winner.

Unfortunately that wasn't to be.

I had the amazing Cat Sparks lined up as my proxy to accept the award (and ensuing free drinks), and despite Cat's assurances I only needed to say "I love youse all", I had written something a little longer than that. My speech included thanks to the publisher, Keith Stevenson, my crit and writing buddy, David McDonald, my best friend, Fenna, and my wife Lindsey.

Was I disappointed I didn't win? Of course. Did I feel cheated? Not in the least. Jason is one mean writer, and it truly was an honour to be shortlisted alongside him and the others. Indeed, congratulations to all winners and other finalists.

And if I've done it once, I can surely get my name on that list again. Surely, I can.

And I do love youse all.

Sunday, July 5, 2015

Red In Tooth And Claw.

My writing buddy and crit-fiend, David McDonald, has a story out in the latest issue of Dimension6.

Although I've yet to read this issue, I read an earlier incarnation of Red in Tooth and Claw a while ago. I enjoyed it then, and I have no doubt it's improved since.

Congratulations, David. A fine sale to a quality magazine.

Dimension6 continues to be published three times a year, and is free to download and distribute. Keith Stevenson, the editor and publisher, produces high quality stories and five issues in he is yet to disappoint.

Issue #5 also includes stories by SG Larner and Jessica May Lin.

Run, don't walk, over to the Coeur de Lion website and download.

What? Are you still here?

Sunday, May 31, 2015

Continuum 11.

It's that time of year. Continuum 11 is on next weekend, and the program is looking great.

For those who have never heard of Continuum, here's the description from their website.

"Continuum is an annual Melbourne speculative fiction and pop culture fan convention celebrating creativity across genre and media. From hard-edge science fiction to high-flown fantasy, comic books to film noir, high culture to sub-culture … we sink our teeth into it all!

2015 marks our 11th convention, and we’re taking the time to celebrate Australia.  Not in a yellow-and-green-how-many-gold-medals-did-that-koala-get-in-the-sports way, but looking at Australia’s history and future, and also Australian genre and media, our fandom, and our people."

This will be my seventh Continuum. Unfortunately, due to other commitments, I won't be able to attend the entire weekend as I usually do. I'm even unsure of when I can manage to drop in, But I will definitely be there Saturday afternoon.

I'm only on one panel this time, Religions in Spec Fic, alongside David McDonald, RJ Anderson, Alexandra Pierce and Stephanie Lai. 
Religions are portrayed as good and bad forces in specfic, but in Western SF there are certain long-standing traditions. What are "neglected" religions? Has the way religion been portrayed changed along with its changing role in society? What are some of the mistakes writers make when incorporating religion?
Come along to Continuum. Check out the Religions panel. And if you're not even sure you want to go, Friday night of the program is a gold coin donation entry.

You can't get anything better for that price these days.

Tuesday, September 9, 2014

WSFA Shortlisting.

Congratulations to some friends on their nominations for the WSFA Small Press Award.

David McDonald is a crit buddy and a friend. I'm thrilled his story, Set Your Face Towards the Darkness, published in Tales of Australia: Great Southern Land (Satalyte Press), has been shortlisted. Congratulations David, and to Stephen Ormsby, the publisher, who struck twice from the same anthology. Sean McMullen is also on the list.

Tehani Wessely, publisher of FableCroft scored a shortlisting with a story by DK Mok, from the anthology One Small Step. Congratulations, Tehani and DK.

Eric J. Guignard won the Bram Stoker Award for editing After Death. Now Jonathan Shipley has been shortlisted with his story from that collection. Congratulations Eric and Jonathan.

And congratulations to all the others on their nominations.

This annual award, administered by the Washington Science Fiction Association, is highly regarded. According to their press release:
The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2013). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story. 

Sunday, April 13, 2014

One Week Down, One Week To Go.

Halfway through the school holidays, and it's been great so far.

I received my welcome pack from the SFWA - I'm now an official member (associate), although my goal is to become a full member as soon as I can. It's a nice step, and another goal crossed off my list.

Writing has been good. I just returned from three nights down the coast on a writing retreat with David McDonald. There's nothing like being with another writer to keep you accountable. Lots of words, discussions, ideas and plans made.  Yeah, David, that private yacht is only a few more sales away.

Waiting and waiting on a couple of responses. Hopefully I'll hear something soon, and hopefully they'll be positive.

Caught up with a couple of friends from my old school, I've only been gone a month but it was great just hanging out.

And I have plans for the rest of the holidays. More writing, more catching up with friends, going to see a film with my new colleagues, and at least one lunch.

And music. There will be loud music.

Saturday, March 1, 2014

Holland: 1944.

I'm thrilled to announce that my story, Holland:1944, is now available in Galaxy's Edge #7.

The magazine is free for the next two months, or it can be purchased in a number of formats either from the webpage, or through your usual online retailers.

But wait, there's more.  Check out the names on this TOC and tell me this isn't worth reading.

Once again thanks to Mike, Laura and Shahid. Thanks to Stewart C. Baker, who suggested I turn this idea into a story, although he probably doesn't even realise it. (There is a story in itself behind all this.) And special thanks to David McDonald, Pete Aldin, and the amazing Tina Gower, who all spent time critiquing my story.

And to Bob Writer, wherever you may be.

Table of Contents:

Cassandra, by C. J. Cherryh
Holland, 1944, by Steve Cameron
Cordle to Onion to Carrot, by Robert Sheckley
Pallbearers, by Martin Shoemaker
Werehunter, by Mercedes Lackey
The Tour Guide, by Lou J. Berger
Faster Gun, by Elizabeth Bear
The Necronomator, by Brad R. Torgersen
In a Green Dress, Surrounded by Exploding Clowns, by Robert Jeschonek
One Sunday in Neptune, by Alexei Panshin
Except for the Plumbing, by Greg Benford
From the Heart’s Basement #7, by Barry N. Malzberg
Book Reviews, by Paul Cook
Lest Darkness Fall (Part 1), by L. Sprague de Camp

Tuesday, September 10, 2013

Tales of Australia: Great Southern Land.

Satalyte Publishing is taking orders for its first release, and what a fine TOC it has. 

Tales of Australia: Great Southern Land includes some well known and respected Australian writers.  Edited by Stephen Ormsby and Carol Bond.

And I must congratulate my comrade-in-arms, David McDonald on his inclusion.

Journey into visions of the Great Southern Land by eight Australian authors. The novelettes of this series will take you along arcane paths into fantastic Australias of the imagination.

Disciple of the Torrent by Lee Battersby
This Corner of the Earth by Dean Mayes
Acts of Chivalry by Sean McMullen
Bobby, Be Good  by H.M.C
Dreams Didgeridoo by Salwa Samra
After the Red Dust by Charmaine Clancy
Jaylin by A. Finlay
Set Your Face Toward the Darkness by David McDonald

Sunday, April 28, 2013

Another Good Week?

OK, I didn't win the Ditmar for Best New Talent.  That went to my good friend and writing buddy David McDonald. He's definitely a writer to watch. Congratulations, David.

And it was great to see another friend, Thoraiya Dyer, win a Ditmar for her short story. I heard her daughter stole the show at the awards ceremony.

It was great to see a couple of other friends and acquaintances won awards too. Here's the entire list.

Novel: Sea Hearts, Margo Lanagan (Allen & Unwin)
Novella or Novelette: “Sky”, Kaaron Warren (Through Splintered Walls)
Short Story: “The Wisdom of Ants”, Thoraiya Dyer (Clarkesworld 12/12)
Collected Work: Through Splintered Walls, Kaaron Warren (Twelfth Planet)
Artwork: Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga)
Fan Writer: Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
Fan Artist: Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”
Fan Publication: The Writer and the Critic, Kirstyn McDermott and Ian Mond
New Talent: David McDonald
William Atheling Jr. Award for Criticism or Review: Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.” (Tor.com)

Other awards announced in the ceremony:

Norma K. Hemming Award:
Sea Hearts, Margo Lanagan (Allen & Unwin)
Peter McNamara Award: Nick Stathopoulos
Chandler Award: Russell Farr (Ticonderoga)

Congratulations to all.

So why has it been another good week for me? I sold another story and have two more that have been shortlisted. That's got to be good, right?

Tuesday, March 26, 2013

Ditmar Awards, 2013.

I had a pretty good year last year.  I sold half a dozen stories and earned some positive reviews. And so, for the second year in a row, I've been shortlisted for a Ditmar Award - Best New Talent.

Last year it was won by Jo Anderton, deservedly so. This year I'm up against other worthy writers, including my good friend David McDonald. (I also need to congratulate David on a total of four nominations)

Congratulations to all the nominees. Voting is open, and can be found here.



Best Novel
------------------------------------------------------------------------
* Sea Hearts, Margo Lanagan (Allen & Unwin)    
* Bitter Greens, Kate Forsyth (Random House Australia)    
* Suited (The Veiled Worlds 2), Jo Anderton (Angry Robot)    
* Salvage, Jason Nahrung (Twelfth Planet Press)    
* Perfections, Kirstyn McDermott (Xoum)    
* The Corpse-Rat King, Lee Battersby (Angry Robot)    


Best Novella or Novelette
------------------------------------------------------------------------
* “Flight 404”, Simon Petrie, in Flight 404/The Hunt for Red Leicester (Peggy Bright Books)
* “Significant Dust”, Margo Lanagan, in Cracklescape (Twelfth Planet Press)    
* “Sky”, Kaaron Warren, in Through Splintered Walls (Twelfth Planet Press)    


Best Short Story
------------------------------------------------------------------------
* “Sanaa’s Army”, Joanne Anderton, in Bloodstones (Ticonderoga Publications)  
* “The Wisdom of Ants”, Thoraiya Dyer, in Clarkesworld 75    
* “The Bone Chime Song”, Joanne Anderton, in Light Touch Paper Stand Clear (Peggy Bright Books)  
* “Oracle’s Tower”, Faith Mudge, in To Spin a Darker Stair (FableCroft Publishing)    


Best Collected Work
------------------------------------------------------------------------
* Cracklescape by Margo Lanagan, edited by Alisa Krasnostein (Twelfth Planet Press)  
* Epilogue, edited by Tehani Wessely (FableCroft Publishing)  
* Through Splintered Walls by Kaaron Warren, edited by Alisa Krasnostein (Twelfth Planet Press)  
* Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)    
* Midnight and Moonshine by Lisa L. Hannett and Angela Slatter, edited by Russell B. Farr (Ticonderoga Publications)    

* The Year’s Best Australian Fantasy and Horror 2011, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)    

Best Artwork
------------------------------------------------------------------------
* Cover art, Nick Stathopoulos, for Andromeda Spaceways Inflight Magazine 56 (ASIM Collective)    
* Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga Publications)    
* Illustrations, Adam Browne, for Pyrotechnicon (Coeur de Lion Publishing)    
* Cover art and illustrations, Kathleen Jennings, for To Spin a Darker Stair (FableCroft Publishing)    
 
* Cover art, Les Petersen, for Light Touch Paper Stand Clear (Peggy Bright Books)    

Best Fan Writer
------------------------------------------------------------------------
* Alex Pierce, for body of work including reviews in Australian Speculative Fiction in Focus  
* Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth    
* Grant Watson, for body of work including the “Who50” series in The Angriest     

* Sean Wright, for body of work including reviews in Adventures of a Bookonaut  

Best Fan Artist
------------------------------------------------------------------------
* Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”  

Best Fan Publication in Any Medium
------------------------------------------------------------------------
* The Writer and the Critic, Kirstyn McDermott and Ian Mond  
* Galactic Suburbia, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce  
* Antipodean SF, Ion Newcombe  
* The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe  
* Snapshot 2012, Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung et. al.  
* Australian Speculative Fiction in Focus, Alisa Krasnostein, Tehani Wessely, et. al.  
* Galactic Chat, Alisa Krasnostein, Tansy Rayner Roberts, and Sean Wright    


Best New Talent
------------------------------------------------------------------------
* David McDonald  
* Faith Mudge  
* Steve Cameron    

* Stacey Larner  

William Atheling Jr Award for Criticism or Review
------------------------------------------------------------------------
* Alisa Krasnostein, Kathryn Linge, David McDonald, and Tehani Wessely, for review of Mira Grant’s Newsflesh, in ASIF  
* Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let's Unpack That.”, in tor.com   
* David McDonald, Tansy Rayner Roberts, and Tehani Wessely, for the “New Who in Conversation” series  
* Liz Grzyb and Talie Helene, for “The Year in Review”, in The Year’s Best Australian Fantasy and Horror 2011  
* Rjurik Davidson, for “An Illusion in the Game for Survival”, a review of Reamde by Neal Stephenson, in The Age    

Wednesday, January 23, 2013

My Writing Rules.


Last year I posted on David McDonald's blog about writing rules and the need to develop your own. I spent a bit of time looking at rules from other writers and found that none of them worked for me or suited my circumstances.

Anyone who has spent some time writing should be familiar with Heinlein's Rules, handed down from writer to writer and treated as though sacred and holy. Generally I find them to be outdated and simplistic.

I've never actually articulated the rules I'm developing (I guess they're more of a 'vibe'). Perhaps they should even simply be guidelines. But here goes, bearing in mind they are appropriate for me and subject to change and development. (I've also posted them on a seperate page, where they may be updated and revised.)

1. Define your goals.
Do you want to be a full time professional? Someone who writes as a hobby? Someone who just wants to see their name in print? Short stories, novels or both? None of these ambitions are any less valid than the others. There are a number of famous novelists who hold down full time jobs still. By choice. But it helps if you are clear in your intentions.

2. Write.
This is one where I agree with Heinlein. Many people intend to write, few actually do. It doesn't have to be everyday, just as often as you can and appropriate to your goals. Don't complain you don't have the time - none of us do. If you want to do something badly enough you'll make the time. I also think the rule about "finishing it" is implicit in this rule. There's no point in only writing opening or paragraphs unless they are exercises for practice.

3. Read widely.
Fiction, non-fiction, news, science, classics, literature, biographies, cross-genre - even genres you would never normally read. Take it all in and let it swish around inside you.

4. Rewrite as required but don't tinker endlessly.
As you progress as a writer it becomes easier to see flaws in your own work. I took an older story that wouldn't sell, a story I loved, applied new learning to it and rewrote parts of it resulting in a story double the original length. It sold, was nominated for an award and has received great comments and reviews. On the other hand don't keep tweaking it endlessly. And don't be afraid to lose words to better the story. Your words aren't that sacred.

5. Let it be read.
I'm amazed at the number of people who want to be a writer but are too scared to show their writing to anyone. I'll admit it was terrifying the first time, but you soon get used to it. Show your work to people, submit it to markets. Get it out there. Isn't that what storytelling is all about?

6.Learn.
Writers' groups, workshops, online classes, writing books, writing buddies and so on. Develop your skills and learn. Everything. Grammar is a good place to start. Strunk & White is very useful.

7. Listen to critiques.
But that doesn't mean you need to need to treat them all equally. A reader may be able to tell you it didn't work for them but not be able to explain why. A writer might be able to explain why. Remember that your story is aimed at readers. If it doesn't work for one, it may not work for others. On the other hand beware of advice starting with "I would have written it like this..."

8. Be part of the community.
Writing is generally a solitary activity. Spend time with the community, both online and in person. Go to conventions, meet people and socialise. It's amazing the doors that will open. Remember networking is important, but networking is a two-way street. It's not just about what others can do for you. If you take and never give you will soon be ignored. Social media is supposed to be social. By all means mention a new release, or a sale, or even the occasional writing problem or word count. But if you're solely on Facebook to promote your work it soon becomes little more than spam.

9. Be professional.
In all aspects of your public life - at conventions, online and when dealing with editors and publishers. I know of several writers whose works I refuse to buy simply because they've been rude or arrogant towards me. And just because you've made a sale doesn't mean you're now an expert on writing or anything else. Don't sermonise, pontificate or put others down.

10. Have fun.
There are times you'll pull your hair out, curse editors and publishers and declare you're hopeless and can't write. But then there are those time you get to hold your newly published work in your hands, or make a sale, or receive positive emails from writers. And there is nothing like the feeling of typing the final full-stop at the end of a piece you just know is the best thing you've ever written.

11. Don't rest on your laurels.
You're best work is not necessarily behind you. Keep writing.

That's what I have so far. But, as I said, it's subject to change and development. And I'm interested in comments and feedback.

Tuesday, October 30, 2012

Word Tyrant.

My friend, David McDonald, has just released an app that keeps track of writing and word count. Absolutely perfect for those of you about to attempt NaNoWriMo.

And it's cheap. Only 99 cents until Nov 2.

Check it out here, or here or here.

It looks fantastic, does incredible things, and has started getting great reviews.

Now all I have to do is convince him to get an Android version up and running.

Wednesday, September 12, 2012

A Professional Geek From Melbourne.

In 2011 I contacted the Continuum people and offered to run a panel on my favourite SF writer, Philip K. Dick. I automatically invited Bruce Gillespie (editor of the fabulous The Electric Shepherd) to join me, then sat back to see what happened.

Someone with a strange name was then allocated the panel, then had to withdraw, and then another (with a more 'normal' name) was assigned. I think we may have emailed a little beforehand, but I do recall the night before the panel when David McDonald introduced himself to me. He asked me how the panel was to run, and I briefly explained very little (as it was all PowerPoint based and quite logical in order).

The next day Bruce, David and I ran a very successful and interesting PKD session. Bruce, of course, was wonderful as always. But I owe much of that success to the insights and thoughts of David.  Afterwards we chatted, and it turned out we not only had some same acquaintances in the 'real world, but had similar backgrounds with matching reference points. So I sat in on a Dr. Who panel he'd organised, a wonderfully emotive Sarah Jane tribute, and found that he had a similar approach and attention to quality and detail that I had.

Afterwards, David bought me a coffee, and I impressed him with my...  well, everything.

Over the past year or so, David and I have become firm friends. We've become crit buddies, shared good news and bad, and built a mutual respect for each other's work and approach to writing. We have similar philosophies, morals and ethics.

Oh, and he'll always remind me of the crit session I conducted on Cold Comfort (from Epilogue) at Conflux mere hours before the submission deadline. You see, he was plying me with drinks and one thing led to another... But that's a story for future panels when we are both deservedly recognised for our abilities and writing credentials.

David is an up-and-coming writer whose work deserves attention. He's a great guy, a good friend and a fabulous writer. He was deservedly nominated for the "William Atheling Jr Award for Criticism or Review" (along with Tansy Rayner Roberts and Tehani Wessely) for the “Reviewing New Who” series. And I'm proud to share the Epilogue TOC with him. Check him out here.

And don't believe a word he says about Canberra. What happened at Conflux, stayed at Conflux.

Wednesday, July 25, 2012

Interesting Times.

This week has been mixed.

Deck The Halls has been released by eMergent, and it looks great. My contributor copy arrived this morning. It includes my story, Softly Sing The Stars, as well as Through Wind And Weather by my fellow traveller, David McDonald.

I withdrew a story from a market after it had been sitting there for well over four months without a response to my queries. Sigh. Four months is ridiculous when Duotrope is showing responses from the same market after only two weeks.

I had a personal rejection from a market that continues to elude me. The comments were encouraging though. Still, a rejection is a rejection is a rejection.

I'm over it now and feel better. It took about two minutes.

And the other stories are still out in the wildwoods awaiting their fates.

I wish I had midi-chlorians when I say stuff like: Get on with it, editors. You know you want these!

Wednesday, May 30, 2012

Craftonomicon.

Have you bought a membership and made your reservations yet?

June 8th is almost upon us and the community from around Australia will then gather for Continuum 8.  It was only a few years ago I discovered this whole writing/fandom event even existed. I signed up for my first convention without knowing anything about it. I was nervous about attending, I didn't know what to expect, didn't really know anyone there and felt as though I was intruding.

Of course that all quickly changed and I'm now a regular attendee and participant. I'm on three panels this time around and I must say I'm really looking forward to them. It'll be great to catch up with friends, meet new people and spend hours and hours talking complete crap with them.

The schedules have just been posted, and the panels look fantastic. I've also discovered I'll be doing a reading with David McDonald, Jo Anderton and Dirk Flinthart as 'FableCroft authors'. Exciting, and terrifying at the same time. I'm also very excited about the awards ceremony, as I'm on the ballots for my first Ditmar and Chronos awards. Simply being shortlisted is thrilling.

But whatever happens, the convention will be as valuable as ever.

Sunday, May 20, 2012

I Gotta Wear Shades.

Like any other skilled activity, the writing experience is a series of improvements punctuated with plateaus where not much seems to happen - either in sales or personal writing growth. Or at least that's how it has been with me.

Recently I've felt that I've been stuck, wheels spinning and not advancing, not getting anywhere at all - although no doubt I was improving and honing my skill. I was just too close to see it myself. But I've recently started to feel that I was getting closer to another burst of improvement.

I've got two stories on hold, two stories just sold and another re-subbed after a rewrite request. And I have high hopes for a couple of others.

Yesterday, I came away from Jack Dann's workshop with some excellent criticism on my subbed story from my fellow participants and Jack, along with positive and encouraging words. And while I don't agree with everything that was said about my story, I will look at everything, consider carefully, and rewrite parts as appropriate.

Continuum is creeping up on us, and I'm looking forward to catching up with a bunch of people. I've signed up to be on a panel with my friend, David McDonald - and that should be a lot of fun. It's a shame Gitte Christensen won't be able to make it, but it was lovely catching up with her yesterday and I look forward to reading her current work-in-progress. Once it's completed, of course.

I must admit I'm also very excited about hearing my name listed among the nominations for both the Chronos and Ditmar awards. And, of course, attending the launch of Epilogue.

Timbuk 3, anyone?


Sunday, May 6, 2012

We wait.

I've had a good week's writing.

I finished my short story for the Jack Dann writing course I'm currently attending. I wrote it for the course when we first started, and had plans last week to write a second draft, but I just didn't have time. In the end I glanced over it, changed a couple of words and subbed it. Of course there's part of me that is looking forward to the critiquing, and a part of me that's completely terrified by the prospect.

When I was in Sri Lanka in January, I had a short story idea which I duly wrote down in my notebook. It was a basic premise, and needed a lot more to be developed before it was story-worthy.  Last week I realised that the premise fit an anthology to which I had hoped to submit. Of course the deadline was approaching faster than I'd thought, and so I had to work hard to get the story up and running. I still didn't know where it was going to go - even as I wrote the first three hundred words. And then a beautiful thing happened. As I kept writing, the whole plot and narrative fell into place.

I was able to turn out a clean first draft and send it to my writing buddy, David McDonald, for an emergency crit. I literally sent it seconds after I wrote the final word and hadn't reviewed any of the story myself.  David kindly read the story for me, making notes, and sent it straight back. From there I reworked parts of the story, tightened other aspects and subbed it with an hour to spare on the deadline.

Usually I leave stories for a while so I can go back in with a fresh mind and viewpoint and see all the little problems you don't notice when you're too close to it.

I just hope this story is as good as I believe it to be.

But now it's subbed and the market usually has a quick turnaround. I'm also waiting on news about a bunch of other stories that are out at the moment. I anticipate hearing on most of these in the next week or so.

And for now we just wait, wait, wait.

Thursday, April 26, 2012

Nominated.

Boy, that came out of the blue!

I certainly didn't expect to be nominated for Best New Talent in this year's Ditmar Awards. Thank you to all those who voted. And congratulations to Jo Anderton and Alan Baxter, who also happen to be shortlisted with me. Both writers produce great pieces, and are really cool in person.

I also need to mention my crit buddy, David McDonald, who has been nominated for the William Atheling Jr Award, as part of a team alongside Tansy Rayner Roberts and Tehani Wessely. Well done and congratulations.

And congratulations to everyone else who made the list. It's great to be recognised and receive validation by being shortlisted at national level. I, for one, really appreciate it.

Sunday, April 8, 2012

One Of Those Weeks.

So every now and again you have a week where a rejection arrives from a market that really should have bought that story because not only is it a really good story but it's a perfect fit for them and they don't know what they're talking about when they reject it and the comments given by the slushreader shows how little they know about good writing and every bone in your body screams in pain and wants the right of reply so you can point out the error of their ways and explain to them how wrong they are and how several of their recently published stories are complete crap and nowhere near as good as yours but you don't do that because you try to behave professionally and deep down you understand that your story is a commodity and ultimately if they don't want it nothing you can say will change that so instead you have a five minute rant to yourself and ship it out again before settling into a quagmire of self doubt about your own abilities as a writer and wallowing there and wondering if anyone will ever buy anything from you again.

And then there a couple of events that lift you out of it. An unsolicited comment from a writer you respect and admire - or in my case, two comments from two writers. A nomination for an award. An email from another writing friend congratulating you and cheering you up. A comment from another friend and peer on your blog supporting you. An invitation to guest post with an introduction that simultaneously builds you up and humbles you.

That's what I love about the Spec Fic community in Australia. The support and encouragement. Thank you.

My guest post Advice on Advice can be found here on the talented David McDonald's site.

Saturday, December 24, 2011

Interplanetary Remix, Take 444.










But if you try sometimes you just might find
You just might find
You get what you need
(You Can't Always Get What You Want - Jagger/Richards)

We all need God above
We all need a little time
We all need money and love
But when we got all we need, it's never enough
(Rodeo Drive - Terry Scott Taylor)

Santa Claus is comin' and the kids are gettin' greedy
It's Christmas time
They know what's in the stores because they've seen it on the TV
It's Christmas time
(Christmastime - Larry Norman)


I need a new car. I need a new phone. I need a bigger house.

I'm an English teacher. And as such, I sometimes recognise we confuse the words need and want. How about those in the world who really need things. Like clean water, food, education, peace, freedom and so on.

A couple of years ago Arran and I came up with an idea. Rather than give each other Christmas cards and small presents (usually chocolate - which I really don't need more of) we have a communal card which we all sign for each other. And then we donate the money we've saved on cards and gifts to Oxfam. This year we raised closed to a thousand dollars, and 'purchased' 6 donkeys and 2 goats.

Personally, I know what I want, but what do I need? (And I won't list those things that I think I need - otherwise I'd sound trite and cliched.)

Since this is a writer's blog, I certainly want to publish more. And I do need my friends.

So, in no real order, writerly thanks to Arran and Peter (friends, colleagues and first-readers).

Thanks to David McDonald (new friend, comrade-in-arms, peer and crit-buddy).

Thanks to Gitte Christensen (comrade-in-arms, encourager and peer).

Thanks to Paul Haines (friend, mentor and music buddy).

Thanks to editors and publishers who have taken a chance with my work over the past 12 months (Keith Stevenson, Tehani Wessely & Jodi Cleghorn).

Thanks to writers, editors, fellow travellers and readers I was published alongside, people I met on forums, at cons, workshops, festivals, meetings, discussion groups and book launches. (Too many to mention)

Thanks to my family and my in-laws (encouragers, and ever-proud).

Thanks to my best friend, Fenna (encourager, motivator, dreamer, teacher and critic).

Mostly, thanks to my wife, Lindsey. (for absolutely everything).

Have a Merry Christmas. And I hope you get what you need.