Reaction Time.

There are some wonderful online tools available for researching publishing markets.

These days I use The Grinder. Its search functions make it quite easy to find current markets that align with the story for which I'm looking for a home. I can easily locate data on acceptance and rejection rates, payment, SFWA accreditation and so on. But for me, one of the most valuable functions is the ability to look at a market's response times.

Asimov's has been doing well. Their responses in the past few months have dropped from a few months to a few days. I've heard a whisper Sheila Williams has a slush reader on board now. And although I've now gone from a couple of personal rejections back to form rejections (the new slushreader obviously doesn't understand my work - ha!), it's wonderful to be able to send that piece out again within a very short time.

Analog, on the other hand, is currently still up around the four month mark. They were only a few months when Stan Schmidt was editor, but when Trevor Quachri took over, it shot up to over six months, and for that reason I didn't submit there for a long time.

There's another magazine I've been considering for some time now. It's not pro-level, but has a decent reputation and publishes some good stories by decent names. They don't pay very much - simply a token payment - but I was fine with that. It's not always about the money. Sometimes it's about the resume building.

But I was shocked when I conducted my research and discovered their response time was close to eight months.

Eight months!

Imagine I write a story and send it to them today. Just before Christmas they may respond with a form rejection, saying 'thanks for your submission but we cannot use this story at this time. We wish you luck in placing it elsewhere.'

Now I've had some stories that were rejected six or seven times before being accepted. If every market was like this, my story might not see light of day for five years or more.

On the other hand, let's imagine they choose to buy it. After eight months. It's typical for publication to occur six to eighteen months after purchase. So, it is possible I could sell it and it might be published two and a half years after submission.

All for twenty dollars or so.

Sorry, but an eight month response for a token market is ridiculous.

Yes, writers complain about response times. Publishers complain about writers submitting their stories to multiple markets at the same time. But I think you can see why some do it.

Me? I've permanently crossed that market off my list and choose to submit elsewhere.

One Week Down, One Week To Go.

Halfway through the school holidays, and it's been great so far.

I received my welcome pack from the SFWA - I'm now an official member (associate), although my goal is to become a full member as soon as I can. It's a nice step, and another goal crossed off my list.

Writing has been good. I just returned from three nights down the coast on a writing retreat with David McDonald. There's nothing like being with another writer to keep you accountable. Lots of words, discussions, ideas and plans made.  Yeah, David, that private yacht is only a few more sales away.

Waiting and waiting on a couple of responses. Hopefully I'll hear something soon, and hopefully they'll be positive.

Caught up with a couple of friends from my old school, I've only been gone a month but it was great just hanging out.

And I have plans for the rest of the holidays. More writing, more catching up with friends, going to see a film with my new colleagues, and at least one lunch.

And music. There will be loud music.

Thirty Three And A Third.

Twelve months after its launch, Galaxy's Edge has been approved by the SFWA as a professional market. Congratulations to Shahid Mahmud, Laura Somerville and Mike Resnick who have worked so hard in achieving that goal.

In September of last year, I wrote on how impressed I was with this magazine, so I was thrilled when I was able to sell Mike a story a short time later. (I also mentioned two other magazines in that piece - interestingly I've also sold to Keith Stevenson at Dimension6. Now I have to sell to Dean Wesley Smith at Fiction River to hit the prophetic trifecta.)

What does it mean for me?

It means that my first pro-level sale, a story entitled Holland:1944, now qualifies as one-third of the required three sales to become a full SFWA member, and I'm pretty happy about that.

Oh, and for the next five weeks or so, Holland:1944 continues to be available to read for free here.

Memberships And Associations.

In the great SFWA (Science Fiction Writers of America) uproar, it appears battlelines are being drawn with personal attacks, accusations, and petitions flying in all directions. I haven't followed it so closely that I know all the ins and outs, but I do know it has escalated wildly out of control.

I read a post on Facebook this morning by William Ledbetter detailing his views on SFWA membership. Like William, I have held membership as a personal writing goal since the days I first started writing, Unlike William, I am not yet eligible - although I am a third of the way to full membership, and about to qualify for Associate membership.

But there are a number of members who are currently questioning the value of being part of the Association, which gives those of us on the cusp reason to question our impending membership. Like William, I think I will join when eligible, simply because it's been a goal. And after a year of membership I'll consider whether to renew or not.

Currently, I am an associate member of the HWA (Horror Writers Association), and I have found them to be fantastic, relevant, and full of great resources.

In Australia we have the AHWA (Australian Horror Writers Association). I've been a member for several years now, although I'm not primarily a horror writer. Having said that, I have made a number of horror sales, and twice been in The Year's Best Australian Fantasy and Horror recommended reading list. I think I joined in the final days of the AHWA's glory years. I loved being a member back then, but the AHWA seems to have become increasingly less relevant over the past few years. Now their decision to axe the print version of Midnight Echo seems like a death warrant. It's short sighted and pointless, particularly when other options were seemingly ignored by the committee. And communication? There is none. There was a general public announcement regarding these decisions, but the membership is yet to be told officially. I regret renewing my membership a few months ago, and don't plan to renew it later this year.

Midnight Echo has been a fantastic publication. I've only ever subbed to it once. The horror I write tends to be gentle, and every editor seemed to call for horror that pushed boundaries

A few of years ago, someone started the ASFFWA. (The Australian Science Fiction and Fantasy Writers Association) I joined, but nothing really happened with it. I believe it was created with the best intentions, but I found it to be little more than a facebook for writers. It seems to have disappeared, and that is a shame.

Is it time for the AHWA to expand genre-wise? Is it necessary to remain solely horror, or can that be a sub-branch within a greater organisation? Does Australia have the horror writer population to maintain an organisation such as this? Could we create the Australian Speculative Fiction Writers Association, catering to horror, science fiction and fantasy? That would increase the membership.

Whatever happens, an association needs to have value for money. It needs to assist and represent its membership, and that appears to be where each of these organisations has ultimately failed.

I'm hoping the AHWA sorts itself out. I'm really hoping that once the dust has settled, the SFWA emerges re-focused, re-energised, re-unified and with clearly defined goals and aims.

Oh, and being an international organisation, isn't it about time they changed their name to reflect that, and the new start?

How about the Science Fiction Writers Association?

First Professional Sale.

I am absolutely thrilled to announce my first pro-level writing sale.

Mike Resnick, the most awarded and nominated SF writer in the known universe, has bought one of my stories for Galaxy's Edge. It was only a couple of weeks ago I was singing the praises of this magazine, and I can't believe that I'm now going to be included in its TOC.

I have a few friends who didn't really understand why I was so excited. They figured I'd been selling stories for a while now so this was just another sale. Market levels are actually designated, and the SFWA (Science Fiction and Fantasy Writers of America) lists the qualifying markets they consider to be of a professional level. This determination is based on a number of factors, including pay-rate, longevity and reputation.

And  selling to a pro-level market is one of those goals I have on my checklist.

Onwards to the next goal (which is another sale at this level), but for now I'm dancing around my house.

Think Professionally, Act Professionally.

Jobe Watson won the Brownlow Medal this week. For those who don't follow Australian Rules Football, this is an award given yearly for the 'best and fairest' player in the league - the MVP, if you like. It's voted for by the umpiring team after each game (3,2,1 points) and players who have been suspended throughout the year are automatically disqualified.

Jobe plays for my team, the Essendon Bombers. He just happens to be the son of a fantastic player, Tim Watson, who played for Essendon in the 80s. So Jobe won the award. But of course he's a champion. He was always going to be a champion, wasn't he? His father was a champion, he was raised in that supportive football environment, he had the genes, he grew up around the club.

Kevin Sheedy, the previous coach, recently revealed that if he'd stayed at the club he'd have either traded or de-listed Jobe. You see, Jobe was simply sailing along, not working anywhere near his potential and not taking the game seriously enough to succeed at that level.

Jobe revealed this week that it was his father, Tim, who took him aside a few years ago and had a chat with him. It was OK if he didn't want to play AFL, but if he was going to play then he needed to be make an effort. Jobe says he was angry with his father, and didn't speak to him for a few days. But then he took the words to heart and now he's become the player on which legends are built.

It's time for me to become more serious in my writing.

I don't know how far I can take it. I'm not even sure I know where I'd like it to go, but I know I have some short term goals that I want to achieve, and in order to do so I need to take my plan to the next level.

• I want to SFWA qualify within the next year. For the first time ever, I have stories out at four pro-markets. I've never really targeted these markets much, as I knew I wasn't yet at that level of writing. But now I know I'm getting closer. I'm getting regular personal rejections from pro-mags, and I'm understanding what is needed to sell there. 

• I have a couple of semi-pro markets that are on my hit list. The editors (and slushreaders) there have played hardball with me so far. But again I've gotten very close and had personal rejections. 

• I'm allocating more regular time to my writing, and I have a chart up next to my desk with stories, markets, goals and deadlines on it. 

• I've taken, am taking and will take workshops and courses in order to learn more about the theory of writing and the structure of stories. 

• I'm immersing myself in reading short fiction from the markets I'm targeting.

I'm feeling optimistic about my writing at the moment. I'm productive, I'm seeing improvement and getting great feedback.

What are your goals? What are you doing to achieve them?