What Is The Measure?

Anyone who reads these posts regularly would be well aware that I am a strong supporter of small press, particularly here in Australia. I truly believe they are publishing some of the most interesting pieces around at the moment. And, importantly, they provide opportunities to emerging writers like myself.

I'm fortunate enough to have sold my work to Tasmaniac, FableCroft, eMergent and Coeur de Lion, amongst others, and I have other publishers, such as Ticonderoga and Twelfth Planet on my hit list.

It's an amazing experience when you see a TOC with your name listed among name writers. I'm thrilled to have work sitting alongside Kim Westwood, Robert N Stephenson, Richard Harland, Thoraiya Dyer, Alan Baxter, Margo Lanagan, Sean McMullen, Jason Nahrung, Lee Battersby, Brendan Duffy, Cat Sparks, Robert Hood, Simon Petrie, Brendan Duffy, Jason Fischer, Patty Jansen, Lyn Battersby, Nicole R. Murphy, Tansy Rayner Roberts, Dirk Flinthart - and those are only the writers whose work I previously had sitting on my bookshelf. Many are names I'd only heard of until a year or two ago, yet now I've met some of them and am starting to build a friendship.

So why is it so difficult to get anthologies reviewed when they contain names like this?

Keith Stevenson, publisher and editor at Coeur de Lion, recently posted lamenting the lack of recognition his fabulous anthology, Anywhere But Earth, has achieved. With the quality and reputation of many of the writers on the TOC, and the international critical, award and commercial success afforded his previous publications, such as X6, it's incredible that the book seems to have disappeared with little more than a blip on the awards and review landscape.

The Australian Spec Fic community is healthy. There is no doubt of that. There are many emerging writers, an 'old-guard' that continues to be produce fantastic work and is supportive of us 'newbies', and a number of small presses pushing boundaries, taking risks and being inventive.

Stevenson (and others I've spoken to) don't do it for profit. From my understanding most of these presses lose money with every publication. It would be a shame for us all if it became so untenable that they were to either reduce or stop production all together.

Post a review on GoodReads, Amazon, anywhere else you can. Promote and support the community.  It needs us all.

Wow, What's That Splinter In Your Eye?

For many years I've told people that I don't particularly like horror. I don't read it and don't watch horror films. A couple of years ago someone lent me a Stephen King book and told me I had to read it, and although I enjoyed it (and he does write great dialogue), it didn't thrill me. So I find it rather ironic that my first publication will be in a horror anthology.

I didn't mean for it to happen like that. It happened by accident. You see, I tend to write SF - although I've written a couple of stories that were slightly supernatural based. In fact one of them, a ghost story, I didn't consider to be horror at all - but it did seem to fit into the Festive Fear format. And so before I submitted it to Tasmaniac, I e-mailed and queried to ensure I wasn't wasting the publisher's time. What I've slowly come to realise over the past six months is that my definition of horror was all wrong.  All the time I was telling people I didn't like horror, I was actually reading a lot of it.

One day I suddenly realised half the Twilight Zone and X-Files shows I've seen are horror and, of course, Buffy spends all her time battling demons and vampires. As for all those Jonathan Carroll books I've been reading and loving for 25 years? Turns out they're horror. (I just figured they were weird fantasy with a dark edge.)

I've just finished reading a few anthologies of horror stories - and most of them turned out to be not what I expected. What I realised I meant is I don't like the blood and gore horror - slasher stuff. And although I'm still not huge on the evil supernatural horror, one of my best friends has been working on me, making me watch old Hammer Horror films with him. Yeah, I know - they're pretty lame by modern standards, but it's a start.

So here I was accusing people of pigeonholing genre, saying they don't like SF while praising Avatar and so on - only to find I was doing it myself.

I promise to be more open to different genres from now on, OK? (Mills & Boon is still out, though!)

I Was Dancing Around The House.

Literally.  My dogs didn't seem to mind, though. They ran with me.

My wife was at work when I received the email informing me that I'd made my first sale. Of course I rang her straight away, and left a message as she was in a meeting. Then I rang my best friend, my second best friend, my third best friend, my Mum and Dad, some guy I met down the pub once, my third grade teacher that I haven't seen in 35 years...

You get the idea.

Anyway, Tasmaniac Publications bought a story of mine for inclusion in Festive Fear 2, due out later this year.  Last year's Festive Fear was fantastic, but this year's has gone global.

I'm really excited by this - and, as Marty Young, pointed out to me, it's been an incredible week for me.  First I score Paul Haines as a mentor, and now this.  I did a quick web-search and found G.N. Braun's writing  has also been accepted for this anthology. Congratulations.

And now, for the very first time in my life, I find myself signing a publishing contract. (Boy, that was fun!)

Support your local small press (and aspiring writers) and pre-order a copy as soon as you can.  They tend to sell out rather quickly.

Think Global, Go Local.

One of the things I'm really enjoying at the moment is reading local authors.

I've been paying attention to some of the small publishers here in Australia, and I'm discovering that not only is their production standard extremely high (layout, editing, artwork and so on) but they often publish writers that are either emerging (meaning I'll have a collector's item on my hands once they make it), or the offbeat and interesting stuff that major publishers don't have time for.

I love reading a local book and recognising places or situations, or some of those little in-jokes that only a native would understand.

My first real experience with this was when I bought a second-hand copy Striped Holes by Damien Broderick back in the early 90s while living in Tokyo. I'd never heard of him before, but it had a cool cover and was cheap in a land where imported books were very expensive.  Imagine my surprise when halfway through the book he mentioned Bourke Street, Melbourne, and some of the shops situated there. In fact, I seem to recall I was rather excited by it.

Do yourself a favour and check out Tasmaniac, MirrorDanse, Agog!, 12th Planet, CSFG, Ticonderoga, and all the others I can't think of at the moment.

Oh yeah, and my horoscope says I have good things happening this week.  It must be true, after all they wouldn't publish lies in a newspaper, would they?

p.s. - and they said it wouldn't last!