My friend, Thoraiya Dyer, has promised Taboulleh for everyone. And that's a promise I intend to make her keep. For everyone? Well, for me at least.
You see, I love middle eastern food. Lebanese, Turkish, Arabian - offer it, and I'm there.
I've only met Thoraiya once in person, which is a shame and a situation that must be rectified. She's lovely, and has a good heart. And yet the Tabbouleh offer is not simply her being generous, but a celebration. Giddy with excitement she made an offer she may yet regret.
Thoraiya is a superb writer, and after a stack of rejections she's landed a three book deal with TOR.
And that is a big deal.
For those not up on the Spec-Fic world, TOR is a name publisher, with a proud history and a respected name. And I'm excited my friend Thoraiya will have novels under their imprint.
She's sold well before, in short story markets. She has a collection and a novella out with Twelfth Planet Press. And I feel honoured to have shared a TOC with her in Epilogue, published by Fablecroft.
Congratulations, Thoraiya. I'm proud of you.
Oh, and Thoraiya kinda rhymes with Himalaya, not with her surname.
Showing posts with label FableCroft. Show all posts
Showing posts with label FableCroft. Show all posts
Sunday, May 3, 2015
Saturday, March 2, 2013
Shiny Things.
Ditmar and Chronos Award nominations have opened.
I've heard a few people recently complain about these awards. About how they have little value because our pool of writers in Victoria and Australia is too small, about how not enough people vote, and about how blocs of friends voting for friends can unduly influence winning.
While there is some truth in these arguments, and the awards system is not perfect, I truly believe having these awards is vital. And actively encouraging people to vote for them is one way to improve their reputation and legitimacy.
I was fortunate enough to be nominated for both a Ditmar (Best New Talent) and a Chronos (short story) last year. I didn't win either, but it meant a great deal simply to be shortlisted.
A couple of years ago I made the decision not to tout myself for any awards. Not to push, cajole, beg or repeatedly mention my eligibility. I decided I would simply state this once, and then let my work speak for itself.
So this is me, mentioning my work. And, if you believe I'm worthy, I would appreciate your support. I'm eligible for Best New Talent in the Ditmars, and for Short Story in the Chronos. (Particularly for my story, Fireflies)
Ditmar information is available here.
Chronos information is available here.
Thanks.
I've heard a few people recently complain about these awards. About how they have little value because our pool of writers in Victoria and Australia is too small, about how not enough people vote, and about how blocs of friends voting for friends can unduly influence winning.
While there is some truth in these arguments, and the awards system is not perfect, I truly believe having these awards is vital. And actively encouraging people to vote for them is one way to improve their reputation and legitimacy.
I was fortunate enough to be nominated for both a Ditmar (Best New Talent) and a Chronos (short story) last year. I didn't win either, but it meant a great deal simply to be shortlisted.
A couple of years ago I made the decision not to tout myself for any awards. Not to push, cajole, beg or repeatedly mention my eligibility. I decided I would simply state this once, and then let my work speak for itself.
So this is me, mentioning my work. And, if you believe I'm worthy, I would appreciate your support. I'm eligible for Best New Talent in the Ditmars, and for Short Story in the Chronos. (Particularly for my story, Fireflies)
Ditmar information is available here.
Chronos information is available here.
Thanks.
Tuesday, June 5, 2012
I've Been Snapshotted.
I was privileged to have been invited to participate, and to be interviewed by Tehani Wessely of FableCroft. (The editor of the terrific anthology, Epilogue)
You can find my interview here.
But don't forget to check out all the interviews, hosted on the following sites. They truly are fantastic.
http://thebooknut.wordpress.com/tag/2012snapshot/
http://kathrynlinge.livejournal.com/tag/2012snapshot/
http://helenm.posterous.com/tag/2012snapshot
http://bookonaut.blogspot.com.au/search/label/2012Snapshot
http://www.davidmcdonaldspage.com/tag/2012snapshot/
tansyrr.com/tansywp/tag/2012snapshot/
www.champagneandsocks.com/tag/2012snapshot/
http://randomalex.net/tag/2012snapshot/
http://jasonnahrung.com/tag/2012snapshot/
http://mondyboy.com/?tag=2012snapshot
Labels:
epilogue,
FableCroft,
interview,
snapshot,
snapshot 2012,
Tehani Wessely
Wednesday, May 30, 2012
Craftonomicon.
Have you bought a membership and made your reservations yet?
June 8th is almost upon us and the community from around Australia will then gather for Continuum 8. It was only a few years ago I discovered this whole writing/fandom event even existed. I signed up for my first convention without knowing anything about it. I was nervous about attending, I didn't know what to expect, didn't really know anyone there and felt as though I was intruding.
Of course that all quickly changed and I'm now a regular attendee and participant. I'm on three panels this time around and I must say I'm really looking forward to them. It'll be great to catch up with friends, meet new people and spend hours and hours talking complete crap with them.
The schedules have just been posted, and the panels look fantastic. I've also discovered I'll be doing a reading with David McDonald, Jo Anderton and Dirk Flinthart as 'FableCroft authors'. Exciting, and terrifying at the same time. I'm also very excited about the awards ceremony, as I'm on the ballots for my first Ditmar and Chronos awards. Simply being shortlisted is thrilling.
But whatever happens, the convention will be as valuable as ever.
June 8th is almost upon us and the community from around Australia will then gather for Continuum 8. It was only a few years ago I discovered this whole writing/fandom event even existed. I signed up for my first convention without knowing anything about it. I was nervous about attending, I didn't know what to expect, didn't really know anyone there and felt as though I was intruding.
Of course that all quickly changed and I'm now a regular attendee and participant. I'm on three panels this time around and I must say I'm really looking forward to them. It'll be great to catch up with friends, meet new people and spend hours and hours talking complete crap with them.
The schedules have just been posted, and the panels look fantastic. I've also discovered I'll be doing a reading with David McDonald, Jo Anderton and Dirk Flinthart as 'FableCroft authors'. Exciting, and terrifying at the same time. I'm also very excited about the awards ceremony, as I'm on the ballots for my first Ditmar and Chronos awards. Simply being shortlisted is thrilling.
But whatever happens, the convention will be as valuable as ever.
Labels:
Chronos,
Continuum,
conventions,
David McDonald,
dirk flinthart,
Ditmar,
epilogue,
FableCroft,
jo anderton,
writing
Tuesday, May 22, 2012
What Is The Measure?
Anyone who reads these posts regularly would be well aware that I am a strong supporter of small press, particularly here in Australia. I truly believe they are publishing some of the most interesting pieces around at the moment. And, importantly, they provide opportunities to emerging writers like myself.I'm fortunate enough to have sold my work to Tasmaniac, FableCroft, eMergent and Coeur de Lion, amongst others, and I have other publishers, such as Ticonderoga and Twelfth Planet on my hit list.
It's an amazing experience when you see a TOC with your name listed among name writers. I'm thrilled to have work sitting alongside Kim Westwood, Robert N Stephenson, Richard Harland, Thoraiya Dyer, Alan Baxter, Margo Lanagan, Sean McMullen, Jason Nahrung, Lee Battersby, Brendan Duffy, Cat Sparks, Robert Hood, Simon Petrie, Brendan Duffy, Jason Fischer, Patty Jansen, Lyn Battersby, Nicole R. Murphy, Tansy Rayner Roberts, Dirk Flinthart - and those are only the writers whose work I previously had sitting on my bookshelf. Many are names I'd only heard of until a year or two ago, yet now I've met some of them and am starting to build a friendship.
So why is it so difficult to get anthologies reviewed when they contain names like this?
Keith Stevenson, publisher and editor at Coeur de Lion, recently posted lamenting the lack of recognition his fabulous anthology, Anywhere But Earth, has achieved. With the quality and reputation of many of the writers on the TOC, and the international critical, award and commercial success afforded his previous publications, such as X6, it's incredible that the book seems to have disappeared with little more than a blip on the awards and review landscape.
The Australian Spec Fic community is healthy. There is no doubt of that. There are many emerging writers, an 'old-guard' that continues to be produce fantastic work and is supportive of us 'newbies', and a number of small presses pushing boundaries, taking risks and being inventive.
Stevenson (and others I've spoken to) don't do it for profit. From my understanding most of these presses lose money with every publication. It would be a shame for us all if it became so untenable that they were to either reduce or stop production all together.
Post a review on GoodReads, Amazon, anywhere else you can. Promote and support the community. It needs us all.
Sunday, May 13, 2012
2011 Aurealis Awards.
Congratulations to all the winners at last night's Aurealis Awards. I've read most of the winning titles, and enjoyed them all. I'd like to specifically mention a few of the winners.
I'm currently attending Jack Dann's workshop on Spec-Fic, and so I've gotten to know him a little as a mentor. Ghosts by Gaslight, edited by Jack Dann and Nick Gevers is a fantastic collection. Congratulations, Jack.
The late Paul Haines was, of course, my mentor for several months, and then became a friend with whom I was in regular contact. The Past is a Bridge Best Left Burnt from The Last Days of Kali Yuga is wonderful, and fully deserves the award.
I first met Thoraiya Dyer at the launch of Anywhere But Earth in November of last year. I'm proud to be sharing a TOC with her in FableCroft's upcoming anthology Epilogue. Her story, Fruit of the Pipal Tree in After The Rain is a most worthy winner also.
Robert N Stephenson's story, Rains of la Strange, shared a TOC with my own So Sad, The Lighthouse Keeper in Anywhere But Earth. Congratulations to Rob, and publisher/editor Keith Stevenson.
I've met Kim Westwood on a few occasions, and also shared a TOC with her in the above anthology. The Courier's New Bicycle is an excellent novel. Congrats, Kim.
Twelfth Planet author, Sue Isle picked up an award for Nation of the Night, while Lisa Hannett scored a couple for Ticonderoga's excellent collection Bluegrass Symphony and the short story The Short Go: a Future in Eight Seconds. I thoroughly enjoyed these works when I read them.
I wasn't able to justify flying up to Sydney for the ceremony, but it sounds like everyone had a great time. One of these years I'll get there. In the meantime, I've had a great week. I sold two stories, had a rewrite request on another, and have two stories on hold.
If I keep at it, maybe one day I'll be fortunate enough to be nominated for an Aurealis.
I'm currently attending Jack Dann's workshop on Spec-Fic, and so I've gotten to know him a little as a mentor. Ghosts by Gaslight, edited by Jack Dann and Nick Gevers is a fantastic collection. Congratulations, Jack.
The late Paul Haines was, of course, my mentor for several months, and then became a friend with whom I was in regular contact. The Past is a Bridge Best Left Burnt from The Last Days of Kali Yuga is wonderful, and fully deserves the award.
I first met Thoraiya Dyer at the launch of Anywhere But Earth in November of last year. I'm proud to be sharing a TOC with her in FableCroft's upcoming anthology Epilogue. Her story, Fruit of the Pipal Tree in After The Rain is a most worthy winner also.
Robert N Stephenson's story, Rains of la Strange, shared a TOC with my own So Sad, The Lighthouse Keeper in Anywhere But Earth. Congratulations to Rob, and publisher/editor Keith Stevenson.
I've met Kim Westwood on a few occasions, and also shared a TOC with her in the above anthology. The Courier's New Bicycle is an excellent novel. Congrats, Kim.
Twelfth Planet author, Sue Isle picked up an award for Nation of the Night, while Lisa Hannett scored a couple for Ticonderoga's excellent collection Bluegrass Symphony and the short story The Short Go: a Future in Eight Seconds. I thoroughly enjoyed these works when I read them.
I wasn't able to justify flying up to Sydney for the ceremony, but it sounds like everyone had a great time. One of these years I'll get there. In the meantime, I've had a great week. I sold two stories, had a rewrite request on another, and have two stories on hold.
If I keep at it, maybe one day I'll be fortunate enough to be nominated for an Aurealis.
Sunday, April 29, 2012
Epilogue.
Epilogue, including my story 'Fireflies', is now available for pre-order. Congratulations to Tehani Wessely of FableCroft for herding the strays and bringing this beast home, and to Amanda Rainey for the wonderful cover. The launch will be at Continuum 8 in June. Pre-order for $19.95. (including postage within Australia) Bargain!
Just look at the names on the TOC. Personally, I can't wait to read it.
“Time and tide” by Lyn Battersby
“The Fletcher Test” by Dirk Flinthart
“Ghosts” by Stephanie Gunn
“Sleepers” by Kaia Landelius
“Solitary” by Dave Luckett
“Cold comfort” by David McDonald
“The Mornington Ride” by Jason Nahrung
“What books survive” by Tansy Rayner Roberts
“The last good town” by Elizabeth Tan
Just look at the names on the TOC. Personally, I can't wait to read it.
Table of Contents – Epilogue
“A memory trapped in light” by Joanne Anderton“Time and tide” by Lyn Battersby
“Fireflies” by Steve Cameron
“Sleeping Beauty” by Thoraiya Dyer“The Fletcher Test” by Dirk Flinthart
“Ghosts” by Stephanie Gunn
“Sleepers” by Kaia Landelius
“Solitary” by Dave Luckett
“Cold comfort” by David McDonald
“The Mornington Ride” by Jason Nahrung
“What books survive” by Tansy Rayner Roberts
“The last good town” by Elizabeth Tan
Labels:
amanda rainey,
Continuum,
epilogue,
FableCroft,
fireflies,
Tehani Wessely
Sunday, April 15, 2012
Think Small.
I've recently been amazed at some of the stories I've read in Analog, Asimov's, and Fantasy & Science Fiction. Not at the quality - quite the opposite. I was amazed they made it into the pages of the big three.
Sure, there's been some great stories too. But recently it seems as though the quality in those magazines has become increasingly inconsistent. At first I figured it was just a matter of taste, that the stories I thought were average were simply stories I didn't like. But when I analysed those stories, I discovered they contained a number of aspects that only a beginning writer should be guilty of. Lazy writing, infodumps, irrelevant scenes, corny dialog, and ridiculous coincidences pulled out of the hat at the last minute. And considering these mags receive hundreds of submissions every month and can pick and choose to their heart's content, it either says something about their selection process, or the scarcity of good writing out there.
What I am starting to realise is that some of the best stories around are, instead, to be found on the pages of anthologies from small presses. Coeur de Lion, Twelfth Planet, FableCroft, Ticonderoga, to name a few Australian ones. Unfortunately, these publications don't get the exposure or respect they deserve.
Locus magazine continues to review every story in every issue of the big three (plus a swag of other pro mags) while ignoring so many smaller ones. While I understand they obviously receive far too many books to read and review, I would suggest that it's the 'other' magazines and anthologies that actually need the support of Locus. The big three are going to sell those issues anyway - particularly since the reviews usually come out well after the mags are off the news-stands.
Keith Stevenson, of Coeur De Lion, for example, recently lamented the difficulty he has in getting his books reviewed. And, of course, if books aren't reviewed and seen, they don't sell, and then they don't get placed on recommended reading lists or awards shortlists - no matter how good they are. Stevenson's Anywhere But Earth has received fantastic ratings and reviews on Goodreads, but has barely raised a blip elsewhere. And this is despite his previous anthology, X6, being placed on the Locus recommended reading list and winning a number of awards.
I was a little surprised recently when a local reviewer told me they had trouble accessing release information on local small press anthologies. I wouldn't have thought it was that difficult. 'Like' their Facebook page, regularly visit their web page, subscribe to a newsletter - whatever.
Support your small publishers, and tell others.
Sure, there's been some great stories too. But recently it seems as though the quality in those magazines has become increasingly inconsistent. At first I figured it was just a matter of taste, that the stories I thought were average were simply stories I didn't like. But when I analysed those stories, I discovered they contained a number of aspects that only a beginning writer should be guilty of. Lazy writing, infodumps, irrelevant scenes, corny dialog, and ridiculous coincidences pulled out of the hat at the last minute. And considering these mags receive hundreds of submissions every month and can pick and choose to their heart's content, it either says something about their selection process, or the scarcity of good writing out there.
What I am starting to realise is that some of the best stories around are, instead, to be found on the pages of anthologies from small presses. Coeur de Lion, Twelfth Planet, FableCroft, Ticonderoga, to name a few Australian ones. Unfortunately, these publications don't get the exposure or respect they deserve.
Locus magazine continues to review every story in every issue of the big three (plus a swag of other pro mags) while ignoring so many smaller ones. While I understand they obviously receive far too many books to read and review, I would suggest that it's the 'other' magazines and anthologies that actually need the support of Locus. The big three are going to sell those issues anyway - particularly since the reviews usually come out well after the mags are off the news-stands.
Keith Stevenson, of Coeur De Lion, for example, recently lamented the difficulty he has in getting his books reviewed. And, of course, if books aren't reviewed and seen, they don't sell, and then they don't get placed on recommended reading lists or awards shortlists - no matter how good they are. Stevenson's Anywhere But Earth has received fantastic ratings and reviews on Goodreads, but has barely raised a blip elsewhere. And this is despite his previous anthology, X6, being placed on the Locus recommended reading list and winning a number of awards.
I was a little surprised recently when a local reviewer told me they had trouble accessing release information on local small press anthologies. I wouldn't have thought it was that difficult. 'Like' their Facebook page, regularly visit their web page, subscribe to a newsletter - whatever.
Support your small publishers, and tell others.
Sunday, December 11, 2011
Epilogue's Table Of Contents.
I'm thrilled to be part of Fablecroft's 'Epilogue' (working title: Apocalypse Hope). Edited by Tehani Wessely, this anthology collects stories set after an apocalypse, but each with an element of hope.
And check out this TOC:
“Time and tide” by Lyn Battersby
“The Fletcher Test” by Dirk Flinthart
“Ghosts” by Stephanie Gunn
“Sleepers” by Kaia Landelius
“Solitary” by Dave Luckett
“Losses beyond the kill point” by Kathleen Martin
“Cold comfort” by David McDonald
“Mornington Ride” by Jason Nahrung
“The last good town” by Elizabeth Tan
Excited much? Fablecroft is a publisher I've been hungry for, just to have Tehani choose to include my work.
Due June 2012.
And check out this TOC:
“Time and tide” by Lyn Battersby
“Fireflies” by Steve Cameron
“Sleeping Beauty” by Thoraiya Dyer“The Fletcher Test” by Dirk Flinthart
“Ghosts” by Stephanie Gunn
“Sleepers” by Kaia Landelius
“Solitary” by Dave Luckett
“Losses beyond the kill point” by Kathleen Martin
“Cold comfort” by David McDonald
“Mornington Ride” by Jason Nahrung
“The last good town” by Elizabeth Tan
Excited much? Fablecroft is a publisher I've been hungry for, just to have Tehani choose to include my work.
Due June 2012.
Sunday, October 30, 2011
A Most Excellent Week.
Yes, I'm still grinning. Anywhere But Earth is beautiful, lovely to look at and hold. And now that I'm reading it, I find it even more delightful (and I haven't even reached my story yet!)
It seems to be doing well on Amazon, having climbed many thousands in their ranking system (although that could reflect only a handful of sales) and has broken into the top 100 of Amazon's SF Anthology list.
It's available in eBook and paperback here.
And, of course, I'm heading up to Sydney for the launch next Saturday. (info here) Hope to see you there.
But beyond that, I've received very positive feedback on a story (send positive vibes in that direction, please), rewritten and subbed two more, and subbed a third that was just waiting for the right market.
Which means I now have TEN stories out in the submission wildwoods.
And that is a personal record.
I am cautiously optimistic for at least three of those stories. And I expect to hear back from editors on a couple in the next week or so.
But then again, submission land is a strange and weird place that works in mysterious ways.
Speaking of which, two excellent posts on submission caught my attention this week. Tehani Wessely and Alisa Krasnostein are both lovely people and excellent editors, and I'm not just saying that because I'm hopeful of selling stories to their presses. I would point out I met them at Worldcon last year, and they certainly have their evil sides, as in when they held me down and forced me to purchase their books.
But they are currently producing high quality anthologies through their award winning and respected presses, FableCroft and Twelfth Planet.
If you're interested in subbing, and doing it right, the advice in these posts is invaluable.
It seems to be doing well on Amazon, having climbed many thousands in their ranking system (although that could reflect only a handful of sales) and has broken into the top 100 of Amazon's SF Anthology list.
It's available in eBook and paperback here.
And, of course, I'm heading up to Sydney for the launch next Saturday. (info here) Hope to see you there.
But beyond that, I've received very positive feedback on a story (send positive vibes in that direction, please), rewritten and subbed two more, and subbed a third that was just waiting for the right market.
Which means I now have TEN stories out in the submission wildwoods.
And that is a personal record.
I am cautiously optimistic for at least three of those stories. And I expect to hear back from editors on a couple in the next week or so.
But then again, submission land is a strange and weird place that works in mysterious ways.
Speaking of which, two excellent posts on submission caught my attention this week. Tehani Wessely and Alisa Krasnostein are both lovely people and excellent editors, and I'm not just saying that because I'm hopeful of selling stories to their presses. I would point out I met them at Worldcon last year, and they certainly have their evil sides, as in when they held me down and forced me to purchase their books.
But they are currently producing high quality anthologies through their award winning and respected presses, FableCroft and Twelfth Planet.
If you're interested in subbing, and doing it right, the advice in these posts is invaluable.
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