Sherlock Holmes: The Australian Casebook.

I've finally received my author copy of Sherlock Holmes: The Australian Casebook, and it is stunning. hard back, with embossed cover, beautifully illustrated and some incredible names within. I feel so honoured and privileged to have been included.

This one has been a long journey. And at times I didn't think it was ever going to happen. Editor Christopher Sequeira, however, kept the faith. He knew he had something special and took his time to find the right publisher. Echo Publishing didn't let us down either. They created an absolutely beautiful book, one that will take pride of place on my shelf.  

I've receieved a  few personal messages telling me how much they love my story and the book. Out in the wider world reviews have started rolling in, and I'm thrilled to have had my name included in a review as the author of one of the outstanding stories.

This is a fantastic book.

But don't just take my word for it - check this blurb out.

It is the year 1890. Sherlock Holmes’ fame has spread even to the colonies as he and his stalwart chronicler, Dr John Watson, are swept up in an array of mysteries ‘down under’. They find themselves summoned from location to location, traversing all corners of the strange island continent of Australia, challenged with mysteries and a geographical and cultural landscape with which they are unfamiliar.

From eerie shadows on cave walls, to an actor’s most grisly curtain call, an abduction by a demon, and an inexplicable drowning, to the odd affair of the reputed biggest man in Australia, a purloined bunyip, and to sinister, bearded bushrangers, the tales within this collection provide fresh perspective to the Holmes phenomena and will intrigue, delight and entertain readers.

The stories are written in Conan Doyle’s classic Watson persona by a range of Sherlockians, historians, established writers and some exciting emerging talents: Kerry Greenwood and Lindy Cameron, Meg Keneally, Kaaron Warren, Lucy Sussex, L.J.M. Owen, T.S.P. Sweeney, J. Scherpenhuizen, Will Schaefer, Robert Veld, Doug Elliott, Philip Cornell, Raymond Gates, Jason Franks, Narrelle M. Harris, Steve Cameron, and editor Christopher Sequeira himself, and with an introduction by Baker Street Irregular Bill Barnes, and illustrations by Philip Cornell, J. Scherpenhuizen and Marcelo Baez.

It is in the shops, and it is available online. You know you need this.

I hope you enjoy reading this. I am.

This Week, I'll Mostly Be Writing.

It's term break and I've devoted this week to writing. Three days in and I'm already kicking goals.

I've written a complete story, rewritten an older one, and submitted both. And I'm really happy with them.

I generally plan my stories before I start writing them -  not in complete detail, but I know where they're going to go and how I'll get there. In writing terms, I'm a 'planner' rather than a 'pantser.' But the story I wrote on Monday I hadn't planned. I knew how it was going to start, and had a couple of ideas for scenes along the way (two of which I ended up not using), but no idea where it was going to end up.

So I pantsed it. (I guess the term comes from the phrase 'fly by the seat of your pants') And it worked really well.

This time, at least.

I'm not sure it's something I'd be able to pull-off every time, but it has built my confidence and made me realise I can do it. And I've learned I can write a complete story in a single day.

Not that I want to do that every time.

But two stories subbed, and a third started this morning. Now I have to wait for the editors to make a decision.

A Competition.

Like it or not, getting published is a competition.

Rejections from a market simply mean the stories that were selected over yours were better, or fit the requirements more closely.

Of course there are standards of writing, and standards of storytelling. And from what I've been told, a large percentage of submitted works are rejected simply on the basis of not being of an acceptable standard.

Sometimes writers ask what's wrong with particular stories, why they weren't bought. It's not a school test with a pass or fail mark - or a benchmark or rubric with anything over a designated level is taken. It simply has to be a better story than the others.

And so it's a competition.

I aim to be the best, or at least be better than most of the others. (And no, before anyone asks, this post wasn't written from a sense of despair or in response to a rejection. I am waiting on a couple of responses any day now, though.)

Write, submit, wait, write some more.

Deck The Halls.

I have a story, Softly Sing The Stars, in the eMergent anthology Deck the Halls.  (Edited by Jodi Cleghorn with fabulous art by Andrew McKiernan).

Due for release in July, the collection is now available for pre-order at the ridiculously low special price of $15.99 plus shipping (Australia only). The book will be made available to overseas readers a little later.

Table of Contents:

Touched - Rowena Specht-Whyte
Drench the School - Benjamin Solah
Coming Home - Rebecca Dobbie
While You Were Out - Sam Adamson
Twenty-Five - Rebecca Emin
A Jolly Pair - Christopher Chartrand
Gays and Commies - Graham Storrs
A Better Fit - Jen Brubacher
Salvation - Nicole R Murphy
A Troll for Christmas - Jo Hart
Modraniht - Kate Sherrod
Bosch’s Book of Trolls - Susan May James
‘Til Death Do Us Part - Emma Kerry
High Holidays - Dale Challener Roe
The Headless Shadow - Jonathan Crossfield
End of a Tradition - Paul Servini
Weatherboy - Nik Perring
Not a Whisper - Lily Mulholland
Lords of the Dance - Janette Dalgliesh
Through Frosted Glass - Laura Meyer
Midsummer’s Eve - Stacey Larner
Yuletide Treasure - Rob Diaz II
Broken Angel - Jodi Cleghorn
A Golden Treasure - Chia Evers
Fast Away - Jim Bronyaur
Apprentices to Time - Icy Sedgwick
Unfolding - Alison Wells
Egg-Ceptional - PJ Kaiser
Hail the New - Trevor Belshaw
Perfect Light - Dan Powell
Softly Sing the Stars - Steve Cameron
Through Wind and Weather - David McDonald

What Is The Measure?

Anyone who reads these posts regularly would be well aware that I am a strong supporter of small press, particularly here in Australia. I truly believe they are publishing some of the most interesting pieces around at the moment. And, importantly, they provide opportunities to emerging writers like myself.

I'm fortunate enough to have sold my work to Tasmaniac, FableCroft, eMergent and Coeur de Lion, amongst others, and I have other publishers, such as Ticonderoga and Twelfth Planet on my hit list.

It's an amazing experience when you see a TOC with your name listed among name writers. I'm thrilled to have work sitting alongside Kim Westwood, Robert N Stephenson, Richard Harland, Thoraiya Dyer, Alan Baxter, Margo Lanagan, Sean McMullen, Jason Nahrung, Lee Battersby, Brendan Duffy, Cat Sparks, Robert Hood, Simon Petrie, Brendan Duffy, Jason Fischer, Patty Jansen, Lyn Battersby, Nicole R. Murphy, Tansy Rayner Roberts, Dirk Flinthart - and those are only the writers whose work I previously had sitting on my bookshelf. Many are names I'd only heard of until a year or two ago, yet now I've met some of them and am starting to build a friendship.

So why is it so difficult to get anthologies reviewed when they contain names like this?

Keith Stevenson, publisher and editor at Coeur de Lion, recently posted lamenting the lack of recognition his fabulous anthology, Anywhere But Earth, has achieved. With the quality and reputation of many of the writers on the TOC, and the international critical, award and commercial success afforded his previous publications, such as X6, it's incredible that the book seems to have disappeared with little more than a blip on the awards and review landscape.

The Australian Spec Fic community is healthy. There is no doubt of that. There are many emerging writers, an 'old-guard' that continues to be produce fantastic work and is supportive of us 'newbies', and a number of small presses pushing boundaries, taking risks and being inventive.

Stevenson (and others I've spoken to) don't do it for profit. From my understanding most of these presses lose money with every publication. It would be a shame for us all if it became so untenable that they were to either reduce or stop production all together.

Post a review on GoodReads, Amazon, anywhere else you can. Promote and support the community.  It needs us all.